Alice In Chains
Alice in Chains' debut arrived at the outset of the '90s without a name for the market they were supposed to attract. Their sound was too unique to be considered metal and more visceral than mere straight-ahead rock, but it was soon lumped in with that of other prominent bands emerging from the overcast skies of Seattle around the same time. Gritty, down-tuned guitars kept their legion of fans headbanging to "Man in a Box" and "Would?," offering sharp contrast to their mellower acoustic output ("Got Me Wrong," "No Excuses"). However, it was Jerry Cantrell and Layne Staley's thick and dissonant harmonies which became one of their most imitated and original features, spawning endless copiers. Heroin-tinged lyrics and jagged, odd-time riffs foreshadowed their supposed demise, but their influence lives on in many of today's copycat bands.
Alice In Chains Concert Films
Alice In Chains Top Tracks
The Battle of Mexico City
Rage Against The Machine
Runtime: 1 hr 35 minOutside Mexico City's Sports Pavilion, hundreds of young Rage fans rattle metal fences and throw rocks at the increasingly nervous police. Inside, a seething crowd of 5,000 lucky ticket holders cram into the cavernous pavilion chanting anti-government slogans and poking their middle fingers into the thick, sweaty air while waiting for Rage Against the Machine to storm the stage.
One of the greatest live acts in music history, Rage only affirms that fact with this show. Whatever club, theater, arena, or stadium they're in, the opening of each Rage Against the Machine show always feels like a grenade has gone off. But this night it was as if a truckful of bombs blew up as the band tore into the opening salvo of "Testify." Fans cascaded toward the stage like rippling waves stopping only to pogo up-and-down like jackhammers.
Longtime supporters of various political causes in Mexico, Rage were performing for the very first time in Mexico City. The connection between the band and the audience is electric. From the early "all hell can't stop us now" chant in "Guerilla Radio" to the blood-curling screams in the finale of "Freedom," there is an urgency at this show that is unrivaled. This is live rock & roll as it's meant to be heard: fierce, funky, uncompromising. This is Rage Against the Machine in their finest hour.
Pretend We're Dead
Runtime: 1 hr 27 minL7: Pretend We're Dead takes us on an all-access journey into the 1990's grunge movement that took the world by storm, and the band that helped define it as the genre of a generation. Culled from over 100 hours of vintage home movies taken by the band, never-before-seen performance footage, and candid interviews, L7: Pretend We're Dead is an engrossing time capsule told from the perspective of L7, these true insiders who brought their signature blend of grunge punk to the masses! Chronicling the early days of the band's formation in 1985 to their height as the 'queens of grunge,' the film takes a roller coaster ride through L7's triumphs and failures, providing never-before-discussed insight into the band's eventual dissolution in 2001. Formed by Donita Sparks and Suzi Gardner-guitars/vocals, the band completed their lineup with the addition of Jennifer Finch on bass/vocals and Dee Plakas on drums. To highlight the fact that L7 was an all-female group, however, was to miss the point. "Our fans couldn't give a shit if we're women," Sparks says. "We did not set out to be an all-girl band. It just happened that way." Yet the "gender issue" would return time and again for the band; from shock jocks refusing to play "chick rock" to academics accusing the band of "incorrectly" embracing their feminism to hard rock press implying the band was merely riding a wave of "girl power" trendiness. Despite these obstacles, L7: Pretend We're Dead shows the thread of influence the band had not only on rock and roll but on future generations of women everywhere and is, at the end, a testament to the pioneering spirit of a band that refuses to take anything lying down. "They can't hear a word we said, when we pretend that we're dead" Also includes the infamous 1997 documentary "L7 The Beauty Process" that was directed by Krist Novoselic.
Runtime: 1 hr 17 minFilmed live on Halloween night 2009 at Voodoo Experience in New Orleans, Live Voodoo sees the reunion of the classic Jane's Addiction line-up of Perry Farrell (vocals), Stephen Perkins (drums), Eric Avery (bass) and Dave Navarro (guitar). This spectacular show captures the band on top form with Perry Farrell at his most mesmerizing and the rest of the band clearly enjoying the occasion. The tracklisting is predominantly drawn from their first two albums, which both featured this line-up, and the band are joined on stage by twin girl dancers, whilst the show climaxes with a joyous all singing and dancing stage invasion.
Zénith Paris 2013
Queens of the Stone Age
Runtime: 1 hr 38 minGet your fill of riff-oriented heavy rock with this dark and moody performance by Queens of the Stone Age. Best enjoyed with the volume turned up high!
Rock Case Studies
Guns N' Roses
Runtime: 51 minFronted by the charismatic Axl Rose and driven by Slash’s raw, powerful guitar, Guns n’ Roses have given rock music a string of classic albums and singles. Commentary from band insiders and an in-depth interview with Izzy Stradlin stand shoulder to shoulder with classic archive performance footage, as this documentary takes you inside the workings of a band that has sold over 100 million albums. Featuring highlights from: You Could Be Mine, Welcome To The Jungle, Paradise City, Sweet Child O’ Mine and more...
Bug Live at 9:30 Club: In the Hands of the Fans
Runtime: 1 hr 3 minThrough an online contest, six fans are selected to film Dinosaur Jr. performing ""Bug"" in its entirety at the 9:30 Club in Washington DC, June 2011. Experience the fans' joy as they witness a classic performance and meet their heroes face to face in an exclusive interview with the band. Under the awesome direction of Dave Markey (The Year Punk Broke), ""In the Hands of the Fans"" brings the fans closer to the band and the music closer to you. Includes bonus footage of Henry Rollins speaking candidly to Markey about the the band, and interviewing them on stage before the show.
The Ultimate Review
Red Hot Chili Peppers
Runtime: 1 hr 8 minThe rare ability to blend a raw hard rock sound with funk is the formula which propelled the Red Hot Chili Peppers from obscurity to international superstardom. Drawing on live performance footage drawn from Woodstock and Red Square, extensive interviews with the band, along with the reflections of band insiders such as former producer Andy Gill this is the powerful independent critical review of the Red Hot Chili Peppers. Featuring highlights from: Power of Equality, Under the Bridge, Give It Away, If You Have to Ask, Aeroplane and more...
Any Last Words (Live at The Metro, Chicago, IL)
Runtime: 1 hr 5 minRecorded live at the Metro in Chicago in conjunction with the popular alternative metal outfit's tenth anniversary, Any Last Words features 14 high-energy tracks, including the hit singles "Send the Pain Below," "Jars," "Vitamin R (Leading Us Along)," and "Letter from a Thief." The performances are crisply produced and tightly played before an audience of obvious fans. The remainder of the set is evenly balanced between the group's four major-label studio albums that followed their Steve Albini-produced 1999 debut, Point #1.
Pop Shop: Part 2
Runtime: 29 minBlack Sabbath is a pioneer of metal music in the history of rock. Singer Ozzy Osbourne and guitar player Tony Iommi continue to influence today’s heavy metal, but also other (in some cases, very different) types of bands, such as the Cardigans, Kyuss, and Black Flag.This concert, captured on RTB cameras in 1970, showcases the British band’s original lineup. The set includes “N.I.B.,” “Behind the Wall of Sleep,” “War Pigs,” and “Fairies Wear Boots.”
Single Video Theory
Runtime: 45 minSingle Video Theory is a music documentary directed by Mark Pellington that follows the making of Yield, the fifth album by the American alternative rock band Pearl Jam. The film was shot in 16mm film over three days in November 1997 in downtown Seattle. It features interviews with the band members and behind-the-scenes footage of the band's rehearsal sessions for its shows opening for The Rolling Stones. The documentary illustrates how the band began to widen the songwriting responsibilities of its members, with bassist Jeff Ament credited with writing "Pilate" and "Low Light", and guitarist Mike McCready taking part in writing "Given to Fly" with vocalist Eddie Vedder. It was the first insight into the band's inner workings of its recording sessions, which had previously been shielded from the public.
Live in Cuba
Runtime: 2 hr 30 minFilmed Live at the Anti-Imperialist Plaza in Havana, Cuba. In may 2005, Audioslave became the first american rock band to ever perform in Cuba. 60,000 screaming fans witnessed this historic event.
Up Close and Personal
Runtime: 57 minVery few bands have had a musical and social impact on the world; however, in its short but monumental career Nirvana certainly did both. This film features powerful footage of the band in action, both in concert and in the studio. In addition, we a team of leading music critics and insiders including Miti Adhikari, the producer of 1991’s historic BBC sessions, and Kurt Cobain’s biographer Charles R. Cross. Features highlights from: Smells Like Teen Spirit, Heart Shaped Box, Rape Me, Sliver, Negative Creep, Pennyroyal Tea and more...
Live at the Moore
Runtime: 2 hr 32 minIn 1995, Mike McCready of Pearl Jam, Layne Staley of Alice In Chains, Barrett Martin of the Screaming Trees and bassist John Baker Saunders played their final show as Seattle-grunge supergroup Mad Season at the Moore Theater in Seattle. The new release of "Live At The Moore" features the legendary show remixed and remastered, also newly edited by director Duncan Sharp for a beautiful new documentary-like presentation, giving the show an updated look as if the viewer were in room that night. Fans will be pleased that included are four performances from the show that have never been seen, including the fan-favorite "Wake Up." Also featured is a full concert of Mad Season's performance from New Years Eve 1994 at RKCNDY in Seattle (which was shot by the band's crew for an up close and intimate look at the band), both performances from Pearl Jam's pirate radio special, "Self-Pollution Radio," and the music video for the hit single "River of Deceit".
Alive in the Windy City
Stone Temple Pilots
Runtime: 1 hr 17 minFilmed at a sold-out Riviera Theatre in Chicago in March 2010, “Alive In The Windy City” is the first Stone Temple Pilots live concert to be authorized for video release. The band is in top form, and the show both looks and sounds spectacular. The concert was held shortly before the release of their recent “Stone Temple Pilots” album, and the tracklisting combines new songs interspersed with their classic hits. This is a great live concert by one of the most successful rock acts of the last twenty years.
Let It Roll: Live in Germany
Runtime: 1 hr 29 minThis concert by Velvet Revolver was filmed at the Palladium in Cologne, Germany in March 2008 for the legendary German TV series Rockpalast. The concert was near the end of the tour for their second album Libertad and came just a few days before the band went on hold following the departure of singer Scott Weiland. The set draws heavily on the Libertad album but also features tracks from their debut album Contraband and covers of Stone Temple Pilots and Guns n Roses tracks.
Busted Circuits and Ringing Ears
Runtime: 1 hr 30 minThis film spans the entire career of Tad, featuring archival live footage, interviews, music videos, and lost footage, as well as new footage and interviews with the band members and Krist Novoselic (Nirvana), Mark Arm (Mudhoney), Kim Thayil (Soundgarden), Chad Channing (Nirvana), and many others. TAD took the idea of playing LIVE very seriously; it was a life or death matter. This documentary not only stands as testimony, but it's also a cinematic document of the world's HEAVIEST band EVER (as Bruce Pavitt so incisively puts it) boldly stretching that assertion beyond any previously known limitations. Better than a tattoo, it's an open scar that roars, a broken alarm bell ringing from the lost event horizon of a long-dead star, one would never see - that is, until this film clipped it back onto the light box of the silver screen, where it can be deciphered and viewed anew. This documentary telescopes the musical pathology of Tad down to the image of an electrocardiograph recording the minor-mode melody of a final infarct, a demented soundtrack that is neither tame nor de-clawed. It was never meant to be. Dare to feel it, and risk bleeding internally.