Caveman Concert Films
Live at Hype Machine's Hype Hotel
Runtime: 26 minWe weren't shy in our no-holds-barred description of Brooklyn-hailing Caveman's self-titled sophomore LP as a musical opiate that we've boastfully abused. They possess an intoxicating musical progression of sounds that we've become accustomed to in many of our favorite indie-folky-harmonied-rock groups with a simple richness that elicits a sense of sonic meditation equivalent to peers like Grizzly Bear and Local Natives.
Our New York neighbors joined us down at Hype Machine's Hype Hotel and gave Austin a heavy dosage of their sonic sedative, and we're pleased to bring you the performance in full.
Caveman Top Tracks
Live at the Mt. Baker Theatre
Death Cab For Cutie
Runtime: 1 hr 33 minOn April 22 and 23, 2009, Death Cab for Cutie returned to Bellingham, WA, where they had formed over 10 years prior to perform two sold out concerts at the historic Mt. Baker Theatre. This film features previously unreleased performances from these two very special nights as well as interviews with band members about the band's early days in Bellingham.
Live at The Regency Ballroom
Cold War Kids
Runtime: 1 hr 16 minIf there is one thing Cold War Kids have taught us it's never judge a book by its cover - or a band by its name. The Californian indie rockers performed a slick, soulful, grown-up set at Regency Ballroom in support in support of "Dear Miss Lonelyhearts." Dipping into newer tracks such as rollicking electro stomper 'Miracle Mile' and raw renditions of fan favourites like 'We Used To Vacation' and 'Hang Me Up To Dry', the Kids showed us they are more than capable of putting on a phenomenal live performance that can keep everyone in the house rocking until the final minute.
Live at Daniel Street Club
Runtime: 25 minThis particular show was captured on a sticky summer night June of 2010 at the Daniel Street club in Milford Connecticut. Though filming in an unfamiliar setting yielded a somewhat tricky production, what follows is a honest, on-stage (and, towards the end...off) account of one of 2010's most exciting bands. Here Surfer Blood take to tangy, sun kissed fret work and stomp the pedal box moments of grit...the band's raw guitar crunch seeping into a heavy sway of multiple, percussive elements. At the helm of the group, John Paul (JP) Pitts flaunts flailing, haphazard kind of vocals, high on reverb and coloring outside the melodious lines like some newbie version of Stephen Malkmus. Not surprisingly, it's a sound that reminisces more of early 90s buzz bin bands than the contemporary indie fixation with weird electronic acrobatics; a refreshing, throwback spin that has felt very of the moment all year long.
Live at The Bowery Ballroom
Runtime: 32 minIn the exclusive concert performance video we captured on the first night of the band's stint in NYC, the synergetic spirit that binds the band together is evident enough. Clearly, this is not a tribe who are comfortable with their work merely being good enough. Self confessed "control freaks;" the band and their music is the result of a communal creative process. Watching their interpretation of the Talking Heads' "Warning Sign," it's no great stretch to envision the band spending whole evenings working through single vocal passages. The rhythmic pounce of " Wide Eyes" offers a picture of the band studiously aligning cut and paste, percussive contributions so that each hit can synch with one another. And "Sun Hands" speaks to the band's efforts in holding back during one moment, so that another one can ultimately be that much more explosive. Dramatic, endearing, energetic, and impressive: we know you're going to love what is one of the most exciting bands we have ever had the pleasure to capture.
Live at the Music Hall of Williamsburg
Ra Ra Riot
Runtime: 60 minRa Ra Riot are on an alluring career trajectory. The band has gone from small-town favorites to big stage stars, and their recent swing through our city for four nights at both The Bowery Ballroom and The Music Hall of Williamsburg seemed the perfect time to capture their ascent.
Starting off as contemporaries to bands like Vampire Weekend, Ra Ra Riot has been something of a slow burner, choosing to develop and nurture a sound rather than cashing in on one, quick aesthetic. Following the release of their polished, Chris Walla produced sophomore album The Orchard, the band now find themselves at a point of promise. The intricacies of their arrangements rival many of the so-called art-rockers, with heaps more accessibility. While The Orchard dropped hooks for heady, reverberated decorations, the ornate finish provides a complimentary side to a band still building its foundation.