Formed by three brothers -- Pete, Sam and Joe Loeffler -- outside of Chicago in 1994, Chevelle began making noise right off the bat. Their debut album Point # 1 was produced by Steve Albini, and it earned them a spot headlining Ozzfest that same year. Their second and third albums, Wonder What's Next (2002) and This Type of Thinking (Could Do Us In) (2004), both yielded hits on MTV. Vena Sera came out in 2007. The band plays the sort of heavy rock with strong melodies such groups as Trapt and Creed are known for. Although lyrically Chevelle remain focused on positivity and soul-searching, they have since distanced themselves from a Christian rock categorization they had been labeled with early on in their career. In May of 2007, their entire trailer of equipment was stolen while touring Texas, resulting in the immediate but temporary cancellation of the tour.
Chevelle Concert Films
Any Last Words (Live at The Metro, Chicago, IL)
Runtime: 1 hr 5 minRecorded live at the Metro in Chicago in conjunction with the popular alternative metal outfit's tenth anniversary, Any Last Words features 14 high-energy tracks, including the hit singles "Send the Pain Below," "Jars," "Vitamin R (Leading Us Along)," and "Letter from a Thief." The performances are crisply produced and tightly played before an audience of obvious fans. The remainder of the set is evenly balanced between the group's four major-label studio albums that followed their Steve Albini-produced 1999 debut, Point #1.
Live From the Norva
Runtime: 1 hr 16 minLive From The Norva features an hourlong set from alt-rockers Chevelle at the Norfolk, Virginia theater. The band delivers hits from their platinum-selling Wonder What’s Next, including "Send The Pain Below" and "Closure."
Chevelle Top Tracks
Runtime: 2 hr 15 minIncubus: HQ Live features Incubus as they celebrated their 20th anniversary as a band by renting out a gallery in downtown Los Angeles to perform and connect with their fans in the most intimate of settings.
Somewhere in the Stratosphere: Madness Live in Washington State (Electric)
Runtime: 1 hr 12 minSomewhere In The Stratosphere: Madness Live from Washington State (Electric) features a full electric live set from platinum recording group Shinedown. Shinedown's live performances give an unsparing look into the soul and psyche amidst a fierce musical attack that, even in its quieter moments, vibrate with the passion, energy and focus of a band with high-minded ideals and limitless ambitions.
Live from Mohegan Sun
Runtime: 1 hr 20 minFilmed in high definition at the Mohegan Sun Arena in Connecticut on November 25th 2011, this concert captures a typically raw and energetic performance by Staind on tour in support of their eponymous 2011 self titled album Staind. This was their first tour to feature new drummer Sal Giancarelli. The show features tracks from the new album mixed in with classic songs from across their career including many of their hit singles.
L(ive) D(osage) 50: Live in Peoria
Runtime: 1 hr 18 minRecorded live in 2001 in the band’s hometown, Mudvayne’s Live Dosage 50: Live in Peoria finds the hard-rock quartet in explosive form on thrash classics like "Dig" and "Death Blooms."
Live at the White River Amphitheater
Runtime: 1 hr 12 minAmerican nu metal heroes Godsmack are taking over the stage at the White River Amphitheatre in Auburn Washington. Completed in 2003, the 98-acre project cost more than $30 million and hosts musical events under an acoustically treated metal roof; it features two 30-by-40-foot video screens on either side of the stage. The band performs hit songs as “Locked and Loaded,” “Keep Away,” “Out of Line,” “Generation Day,” “Cryin' Like a Bitch, ” and many more. Sully Erna's singing style has been stated as "the snarl of James Hetfield", and "composed of dark harmony that sounds a lot like Alice in Chains". Merrill's bass style has been described as "bulldozer bottom with occasional slap-bass reverb". Larkin's drumming is thought to "worship at the twin altars of Neil Peart and John Bonham". And Rombola's guitar playing style has been praised as "guitars that sound like percussion instruments".