Daniel Barenboim Concert Films
A Tango Night - Live from Buenos Aires
Runtime: 1 hr 36 minOn December 31, 2006, Daniel Barenboim came to celebrate the New Year in the Argentinean capital of Buenos Aires in the country where he was born and where he lived for the first nine years of his life. For the pianist and conductor the tango comes naturally and it was with passion that he conducted a huge concert that evening dedicated to this genre across between dance and song. Created and developed in the poor neighbourhoods of Buenos Aires from 1870, the tango very soon became a part of Argentina’s national heritage.
Beethoven: Piano Concerto No.5
Runtime: 44 minIn November 2007, Daniel Barenboim completed a cycle of Beethoven's piano concertos. Recorded live at the prestigious Klavier-Festival Ruhr in May 2007, this DVD recording reflects both a very individual and special reading of Beethoven’s music and the artist’s life-long dedication to the composer. Daniel Barenboim is one of the most prolific and high-profile artists performing on international stages today and Beethoven’s masterpieces have been a key part of his repertoire throughout his career, both as conductor and as pianist. Beethoven himself was a keyboard virtuoso of almost awesome abilities who created a sensation wherever he played. It is no wonder, therefore, that the piano was central to Beethoven’s overall output. Daniel Barenboim, artistic personality and former wunderkind, long an essential part of the international musical scene both on the conductor’s podium and at the piano, is the perfect match for this demanding music.
Live from Berlin
Daniel Barenboim & West-Eastern Divan Orchestra
Runtime: 1 hr 59 minA miracle, one would in light of the middle East conflicts believe: the worldwide respected West Eastern Divan Orchestra is made up of young musicians from countries that are engaged in war. The orchestra with youngsters from Israel, Palestine, Syria, Egypt, Lebanon, Jordan, and Spain was formed in 1999 in Weimar. In the following years there have been concerts among others in Berlin, Seville, Rabat, and in summer of 2005 even in Ramallah - a hotspot in the middle east conflict.
A highlight of the summer tour 2006 was the performance of Beethoven's 9th Symphony conducted by Daniel Barenboim featuring star singers including Anglika Denoke and Burkhardt Fritz as well as Waltraud Meier and René Pape. The proceeds from this benefit concert will go to the Fundacion Barenboilm-Said and their music education programs in the Palestinian territories.
Daniel Barenboim Top Tracks
Mahler Symphony No. 9
Runtime: 1 hr 23 minThis very Italian conductor, born in Milan in 1933, who was for fifteen years the director of the Scala trained in Vienna with Hans Swarowsky is extremely familiar with the culture of Central Europe, of its literature and its fine arts. It is with the Second symphony by Mahler that he chooses to make his debut, at thirty-two, with the Philharmonic Orchestra of Vienna. The Youth Orchestra he founded in 1986 bears the name of Gustav Mahler. Since then, Abbado continues to exhale the complex beauty of the Viennese composers’ symphonies in all the concert halls of the world.
That evening in April 2004 at the Saint Cecilia Academy in Rome, it is with the very same Gustav Mahler Youth Orchestra that he conducts Mahler’s last symphony that went unfinished, the Ninth Symphony. Composed in 1909, it was premiered in 912 by Bruno Walter, who was a close friend of the composer and whom Abbado heard conduct in Vienna… In this absolute masterpiece of a symphonic work, Claudio Abbado, one with his orchestra, delivers a very moving interpretation which rises like the most beautiful prayer.
The Russian Journey
Runtime: 56 minThe date is May 2nd, 1957. Stalin died only four years before and perestroika is still a long way off. However, the Canadian pianist Glenn Gould, who is just 24, arrives in Moscow for an exceptional tour: he is the first North American musician to play behind the iron curtain. This is the story that Glenn Gould in Russia tells by revealing documents from the Canadian Ministry of Foreign Affairs that had remained classified for years. Witness accounts from musicians such as Ashkenazy and Rostropovitch, parts of the original recordings of Gould’s concerts in Moscow and Leningrad, as well as a recording that had never been released before of his lecture-recital in Leningrad make this an invaluable documentary revealing an aspect of Glenn Gould’s artistry that few people are aware of.
Live at the Royal Albert Hall
Runtime: 2 hr 3 minIn November 2013, Lang Lang returned to London's legendary Royal Albert Hall for two recitals - finishing a celebrated Mozart and Chopin programme with no fewer than 8 encores. This film captures the complete recital.
Not this World
Runtime: 52 minIn February 1977, Murray Perahia made his debut with the Berliner Philharmoniker with Mozart’s C minor piano concerto, conducted by Riccardo Muti. “A first-class soloist was introduced to us, with fantastic musicianship and a highly sensitive touch,” as the press wrote. Many wonderful performances with the Berliner Philharmoniker were to follow. And so it was only logical that the orchestra invited him, as Pianist in Residence, to give a series of joint concerts this current season. In this documentary by Holger Preusse and Claus Wischmann, you can now get to know this exceptional artist better.
Perahia’s now legendary status means that he is often regarded as someone who is somewhat removed from normal life – which corresponds to the title of the documentary “Not of this world”. But it is only Perahia’s playing, with its otherworldly beauty, that seems to be beyond all earthly limitations. As this film shows, the artist engages in all facets of life as well as his work. In interviews on tour and in his Swiss vacation home, he talks about the works in his repertoire, and how he develops his interpretations. We experience him as an inspirational teacher, at work in the recording studio and, of course, at rehearsals and in concert. Perahia also discusses the injury to his hand, which has repeatedly forced to stop playing for periods of time – a terrible experience for a pianist. But Perahia has even come to terms with this difficult situation and has reached some surprising insights: “What seemed like a curse actually turned into a blessing, because it gave me a lot of time to think about music and to listen to it more. And so I felt I was actually growing as a musician, even though I was not playing.”