Eddie Vedder is arguably the most recognized superstar of the grunge era, after Kurt Cobain. As the singer for Pearl Jam, Vedder devised a vocal style that became synonymous with the genre and even today can be identified by the slightest whiff of his presence on a song. Vedder has always been very active outside of Pearl Jam, but he never officially left the band for any reason and has appeared in countless duet or collaborative situations, often in a one-off format for a film soundtrack. In 2007 he released his first full album of solo material, Into the Wild, a soundtrack for the eponymous film directed by Sean Penn, who reportedly hand-picked Vedder for the job.
Eddie Vedder Concert Films
Water On The Road
Runtime: 1 hr 18 minWater on the Road, a live-concert film directed by Brendan Canty of Fugazi and Christoph Green features performances from Pearl Jam singer Eddie Vedder's August 2008 solo tour engagements at Washington, D.C.'s Warner Theatre. The film features a live performance of "You're True" from the Grammy nominated album Ukulele Songs as well as a mix of Pearl Jam catalog, covers and songs from Vedder's critically acclaimed, award-winning solo record, Into The Wild. The film also includes appearances by Liam Finn and EJ Barnes who supported Vedder during his 2008 solo tour.
Eddie Vedder Top Tracks
Songs from the Road
Runtime: 1 hr 12 minThis release presents live performances from celebrated songwriter Leonard Cohen culled from various stops on a 2008 world tour that saw him playing to his largest audiences in years.
Live At Reading
Runtime: 1 hr 37 minRanked #1 in Kerrang Magazine's "100 Gigs That Shook The World" and voted as "Nirvana's #1 Greatest Moment" by fans in an NME poll, Nirvana's historic August 30, 1992 stands as a watershed moment in the history of rock. While the show's centerpiece was a performance of nearly the entire Nevermind tracklist, also noteworthy were early performances of three as yet unrecorded songs which wouldn’t be released until 2 years later on In Utero: "All Apologies," "Dumb," and in its first ever public performance, "Tourettes." The career-spanning setlist also reached back to the band's 1989 Sub Pop debut album, Bleach, for "Blew," "About A Girl," "School," "Negative Creep" and first single "Love Buzz," and even further back to the mid-'80s for "Spank Thru." Other songs from the Reading set would appear in studio form on the Incesticide compilation later in the year: "Aneurysm," "Been A Son" and "Sliver." Additionally, the band played a pair of beloved covers by two bands that helped shape the formative Nirvana sound– "The Money Will Roll Right In" by Fang and "D-7" by The Wipers.
Live at Soundstage
Runtime: 53 minThe Counting Crows know how to have fun. Lead Singer Adam Duritz rocks his way through an evening in which poetry seems to explode from the band's repertoire of blues/rock/country hits. Fresh off the release of their greatest hits album Films About Ghosts (taken from a line in the song "Mrs. Potter's Lullaby"), the band reflects on its 10-year history in a Soundstage episode that highlights the iconic "Mr. Jones," along with other up-tempo tunes including "Hangin' Around," "Rain King" and "Mrs. Potter's Lullaby." Duritz slows down in the mournful rendition of "A Long December" but reinvigorates the mood with the rootsy "American Girls." Other hits featured include "Recovering the Satellites," and "She Don't Want Nobody Near."
Runtime: 1 hr 55 minBruce Springsteen: VH1 Storytellers treats fans to intimate performances of songs from Springsteen’s Devils & Dust as well as several of his most beloved classics, plus revealing discussions about how the songs came to be.
We Wrote This Yesterday
Mumford & Sons
Runtime: 1 hr 5 minMumford & Sons are a band that have never stayed still. An innate desire to travel, to meet people and to do the unexpected has become a calling card of sorts as fans the world over join their community and fall in love with their consistently evolving music. This film follows the band and their latest set of collaborators as they travel across uncharted territory playing the major cities of South Africa with an eclectic mix of musician friends. They explore the craft of song writing and the people, events and influences that dictate that. WE WROTE THIS YESTERDAY showcases the band at their most open and collaborative as they relish the excitement of playing to crowds in new cities who’ve never seen them before. Along the way they set a fresh challenge for themselves; taking their collaborative culture one step further as they attempt to write and record a mini album in just 2 days, with the other musicians on tour. The filming of this process not only lifts the lid on the art of song writing in an unforced and natural way but captures the journey and story as a group of artists collide, bringing references, ideas and musical styles from Senegal, Sweden, Malawi, Cape Town and London. By exploring South Africa its influence seeps into their musical collaboration.
Live at Soundstage - Part Two
Runtime: 54 minJohn Mayer’s convincing vocals, guitar virtuosity and compelling songwriting has earned him the respect of his contemporaries as well as significant radio airplay and a solid fan following. On the second part of this Soundstage episode, John Mayer continues his set with favorites “My Stupid Mouth,” “Neon” and the Grammy Award-winning Song of the Year “Daughters.” Towards the end of this episode Buddy Guy returns to end this show on a high note (literally). This time the roles are reversed as Buddy takes the lead on the classic blues “Feels Like Rain,” while Mayer steps back on guitar and lets the teacher do his thing.
Live at the Moore
Runtime: 2 hr 32 minIn 1995, Mike McCready of Pearl Jam, Layne Staley of Alice In Chains, Barrett Martin of the Screaming Trees and bassist John Baker Saunders played their final show as Seattle-grunge supergroup Mad Season at the Moore Theater in Seattle. The new release of "Live At The Moore" features the legendary show remixed and remastered, also newly edited by director Duncan Sharp for a beautiful new documentary-like presentation, giving the show an updated look as if the viewer were in room that night. Fans will be pleased that included are four performances from the show that have never been seen, including the fan-favorite "Wake Up." Also featured is a full concert of Mad Season's performance from New Years Eve 1994 at RKCNDY in Seattle (which was shot by the band's crew for an up close and intimate look at the band), both performances from Pearl Jam's pirate radio special, "Self-Pollution Radio," and the music video for the hit single "River of Deceit".
Single Video Theory
Runtime: 45 minSingle Video Theory is a music documentary directed by Mark Pellington that follows the making of Yield, the fifth album by the American alternative rock band Pearl Jam. The film was shot in 16mm film over three days in November 1997 in downtown Seattle. It features interviews with the band members and behind-the-scenes footage of the band's rehearsal sessions for its shows opening for The Rolling Stones. The documentary illustrates how the band began to widen the songwriting responsibilities of its members, with bassist Jeff Ament credited with writing "Pilate" and "Low Light", and guitarist Mike McCready taking part in writing "Given to Fly" with vocalist Eddie Vedder. It was the first insight into the band's inner workings of its recording sessions, which had previously been shielded from the public.
Alive in the Windy City
Stone Temple Pilots
Runtime: 1 hr 17 minFilmed at a sold-out Riviera Theatre in Chicago in March 2010, “Alive In The Windy City” is the first Stone Temple Pilots live concert to be authorized for video release. The band is in top form, and the show both looks and sounds spectacular. The concert was held shortly before the release of their recent “Stone Temple Pilots” album, and the tracklisting combines new songs interspersed with their classic hits. This is a great live concert by one of the most successful rock acts of the last twenty years.
Live in Cuba
Runtime: 2 hr 30 minFilmed Live at the Anti-Imperialist Plaza in Havana, Cuba. In may 2005, Audioslave became the first american rock band to ever perform in Cuba. 60,000 screaming fans witnessed this historic event.