The Gorillaz' image may be cartoonish, but with artists like Del the Funky Homosapian, Dan the Automator, and members of Blur, Cibo Matto, and Tom Tom Club contributing, their music is anything but lightweight. Experimental in nature and obtuse in scope, the Gorillaz' sound melds Damon Albarn's sharp pop sensibilities with Dan the Automator's eclectic bass-heavy, beat-driven hip hop. And although the combination doesn't always gel, when they hit the mark, it's usually with a bull's eye. Perhaps it was the cartoon facade, or the side-project feel of the collaborative, but when the Gorillaz's self-titled debut was released in 2001, critics predicted a short shelf life for the band. Despite this, the Gorillaz's album went platinum and the group scored a couple of hefty hits with "Clint Eastwood" and "19-2000." But when most of the members of the group went back to their day jobs, most assumed that was the end of them. But in July 2005, the band released its follow-up, Demon Days. As the title suggests, the Gorillaz's sophomore effort casts a darker shadow; however, this is tempered by slick-sounding beats and a variety of happy-go-lucky blips and bleeps. The group scored a radio hit ... See More
Gorillaz Concert Films
Runtime: 1 hr 31 minIn the late 1990's Jamie Hewlett met Damon Albarn and the concept of Gorillaz was born soon after. At the birth of the project, film maker Ceri Levy set about to document this undertaking. The result is Bananaz, 91 minutes inside the remarkable real world of Gorillaz - the most successful cartoon band ever. Levy filmed alongside and behind the scenes from 2000 to 2006, from first drawings, animations, music and the musicians, through to the faces behind the voices of Murdoc, 2D, Noodle and Russel Hobbs. The result is an unsanitized, free-wheeling documentary film; an intimate, honest and often hilarious account of the working relationship between Albarn and Hewlett. With appearances by many of those who occasionally pass through this world: Dennis Hopper, De la Soul, Ibrahim Ferrer, Dangermouse, Dan the Automator, D12, Bootie Brown and Neneh Cherry.
Runtime: 1 hr 10 minThe Gorillaz have only ever performed live 7 times, once at the 2006 Grammys with Madonna, five times last year at the Manchester Opera House and once in 2001 at The Forum in London. This concert film is pieced together from their five show stint at the Manchester Opera House last year. The tracklisting is essentially their latest Grammy winning album Demon Days, with `Hongkongaton', a B-side to their single `Dirty Harry' and `Latin Simone (Que Pasa Contigo)' from their debut self-titled album thrown on the end.
Gorillaz Top Tracks
Runtime: 1 hr 36 min‘Biophilia Live’ is a concert film directed by Peter Strickland and Nick Fenton and produced by Jacqui Edenbrow that captures the human element of Björk’s multi-disciplinary multimedia project: Biophilia. Recorded live at Björk’s show at London’s Alexandra Palace in 2013, the film features Björk and her band performing every song on ‘Biophilia’ and more using a broad variety of instruments – some digital, some traditional, and some completely unclassifiable. The film has already been hailed as “a captivating record of an artist in full command of her idiosyncratic powers” (variety) and “an imaginative stand-alone artwork” (hollywood reporter) and is a vital piece of the grand mosaic that is ‘biophilia.’
Live at Rockwood Music Hall
Two Door Cinema Club
Runtime: 13 minTwo Door Cinema club exhibit the same knack for chance that propelled them to the stage in the very beginning, experimenting ever so slightly by trimming the intense rhythms, dashing tempos, and inventive flourishes of "Undercover Martyn", "Cigarettes In The Theatre", and "Something Good Can Work" down into acoustic roots. The result is a set of songs that places emphasis on the melodies, harmonies, and story lines that drive at the heart of what this trio does. Call it another chance that, to no one's surprise, pays off in the form of this candid Guest Apartment style session with Two Door Cinema Club.
Live at Rome Olympic Stadium
Runtime: 1 hr 57 minThis second live album from the English neo-prog superstars sees them bring their preposterously epic, stadium-sized live show to their Italian fans. The accompanying concert film, the first ever captured in 4K "ultra-high definition," presents the show in all its glory, featuring pyrotechnics, video walls, and acrobats as the band live out their rock god dreams, vamping it up for the cameras for all they're worth as they blast through hit after hit.
Classic Albums: Screamadelica
Runtime: 58 minThis Classic Albums series tells the story behind the making of this legendary album. There are contributions from all the band members, main producer Andrew Weatherall, Creation Records founder Alan McGee and many others involved in the creation of this masterpiece.
Primal Scream's seminal album Screamadelica was released in 1991, and synthesized the band's rock 'n' roll roots with the dance culture of that time; for many, the album's sound and imagery came to be regarded as quintessential symbols of the acid house era, perfectly catching the spirit and mood of the early 90s.
Using rare archive footage and special performances, this film tells the story of Screamadelica and its hit singles and dance anthems Loaded, Movin' On Up, Come Together and Don't Fight It, Feel It. From the formation of the band in Glasgow to winning the first-ever Mercury prize, the band members explain the record's inception with insights from main producer Andrew Weatherall, Creation Records founder Alan McGee and many others involved with or inspired by this joyful record.
Live in Sydney
Runtime: 1 hr 20 minUNKLE: the production collective that defies definition with its blend of electronic, hip-hop, dance and rock music. UNKLE albums have featured collaborations with vocalists such as Thom Yorke (Radiohead), Richard Ashcroft (The Verve), Ian Brown (The Stone Roses), Ian Astbury (The Cult), Mike D. (The Beastie Boys) and Josh Homme (Queens of the Stone Age).
The Black Parade Is Dead!
My Chemical Romance
Runtime: 2 hr 16 minLeave it to My Chemical Romance to call their second full live album — and their second live release during The Black Parade era — The Black Parade Is Dead! Unlike 2007's mini-album Live and Rare, which patched together performances from MCR's fall 2006/winter 2007 dates in the U.K. and Europe, The Black Parade Is Dead! is a lavish CD/DVD affair chronicling two performances: the CD captures the band's October 7, 2007, Mexico City date — their last as the Black Parade — while the DVD features video of that show as well as their October 24, 2007, date at Maxwell's in their home state of New Jersey. The Black Parade Is Dead!'s grandiosity is only fitting, considering how elaborate The Black Parade was, and also fittingly, the Mexico City show is a song-for-song performance of that album — the only difference is "The Black Parade Is Dead," where Gerard Way announces to the audience that this is "the last performance of The Black Parade forever!"
Live at the V Festival 2014
Runtime: 1 hr 29 minThe Killers could literally be V Festival veterans. Returning to the event for their fourth year, Brandon Flowers and Co were back for yet another go at headlining.
Live at Rockwood Music Hall
Runtime: 13 minIt's been a crazy year for Donald Glover, but nothing has been more blazing than his career as rapper Childish Gambino. The project, born of a Wu-Tang name generator, is full of witty, rambunctious energy, as he effortlessly demonstrates in his session at Rockwood Music Hall. Along with collaborator and musical guru Ludwig Gransson on electric guitar, Gambino rips through tracks from his wildly popular EP as well as the lead single from his debut album Camp (out now on Glassnote Records). From introspection to love to pop culture and punny metaphors, Gambino runs an impressive lyrical gammit, one that inspires all the vital decision making organs.
Live at the O2
Runtime: 1 hr 48 minFilmed in high definition at London’s renowned O2 Arena on December 15th, 2011. The show came on the back of the band’s No.1 album “Velociraptor!” and the setlist combines tracks from that album with hits and classic album tracks from across their career so far. The concert was part of a sold out arena tour that covered the UK and Ireland at the end of last year. Kasabian are the recipients of numerous awards for “Best Live Band” and “Best British Band” in recent years and this new show with its spectacular and innovative staging will be a must have for their huge and dedicated fanbase.
Runtime: 1 hrThree years of candid camera on the road with Blur, from Reading 1991 through the dark ages of the EEC in 1992 and then on to Modern Life. This 126 minute tour film features live footage including scenes from Glastonbury ’92, the Heineken Music Festival ’94 in Nottingham, and festivals in Germany, Denmark and Sweden. It is a fascinating rockumentary about the early days of one of the most influential bands of the 1990s.
Meeting People is Easy: A Film by Grant Lee about Radiohead
Runtime: 1 hr 34 minMEETING PEOPLE IS EASY presents a visual diary of Radiohead's 1997-98 world tour in support of their acclaimed album OK COMPUTER. The film includes behind-the-scenes and concert footage of the innovative band in Barcelona, Paris, New York, and Tokyo. Interviews with band members Thom Yorke, Jonny Greenwood, Colin Greenwood, Ed O'Brien, and Phil Selway, along with director Grant Gee's artfully probing camera, provide candid, revealing insights into the difficulties of dealing with the unwelcome label of "rock star." This often melancholy documentary features clips of songs such as "Lucky," "Airbag," "A Reminder," "Paranoid Android," "Street Spirit," and "Electioneering."
Live at Earl’s Court: The Reflektor Tapes
Runtime: 1 hr 51 minArcade Fire released their live film recording "Live at Earls Court," in 2015. It was recorded during the band’s shows at Earls Court in London, during the Reflektor Tour in 2014 and it features some of the most fan-appreciated tracks.
Live from the Vic in Chicago
Cage The Elephant
Runtime: 1 hr 15 minBowling Green, Kentucky-borne indie rock ensemble Cage the Elephant (Jared Champion, Lincoln Parish, Daniel Tichenor, Matt Shultz and Brad Shultz) toplines this 2011 concert film, performed and shot live at the Old Vic in Chicago. The sprawling set list includes: "Psycho Killer," "Tiny Little Robots," "Lotus," "Around My Head" and "Japanese Buffalo."
Live at Les Eurockéennes Festival 2016
Runtime: 20 minDiscreet genie, it’s a Music-Man (with capital Ms) that’s coming to Eurockennes. Since Loser in 1993, Beck trims his mix of styles. Sometimes groove, sometimes soft, sometimes rock, psyched or hip-hop. Beck, multi-instrumentalist and talented producer has offered to the last twenty years, it must be admitted, serious masterpieces.
Runtime: 1 hr 32 minRiding high on the phenomenal success of A Rush of Blood to the Head, Coldplay is in peak form on Coldplay Live 2003. This concert was filmed (on Super-16mm film) and recorded in Sydney's Horden Pavilion on July 21 and 22, 2003, during an exhaustive year-long world tour, and the medium-sized arena provides a fitting stage for the London-based rock quartet, not so grand as to overwhelm the music, but large enough to indicate their large and loyal following, which includes enthusiastic fans of either gender. Especially when played in DTS 5.1 surround, this 90-minute concert is richer, thicker, and (of course) louder than Coldplay's studio recordings, lending a wall-of-sound expansiveness to the band's signature sound, which draws from such diverse influences as Genesis, Pink Floyd, The Verve, U2, and their own unique sonic landscape. "Politik" gets the gig off to a rousing start, and other impressive highlights include "Daylight," "Yellow," the as-yet-unreleased new song "Moses," and the popular hits "In My Place," "Clocks," and "The Scientist." And while the concert visuals are slick and professional, this film--the latter containing a truncated 70-minute version of the same performance--are best appreciated for their pristine audio quality.
Live at The Cutting Room
Runtime: 22 minThere is something truly unique about the music that pours out of the four lads who comprise the experimental, indie outfit, Alt-J. It has a sparkling, melodious quality in the way the guitars fizzle in a bed of digital mist. But there are odd chanting harmonies, crunchy riffs that'll snap your teeth, and, most notably, a disjointed, percussive approach that's mightier than all. It's all helped to stew a bit of a phenomenon on the band's side of the Atlantic. Why just today the band snatched themselves a nomination for the prestigious Mercury Prize for their debut, An Awesome Wave (which is just about the best way to describe what lies within). Here in the US, the band is currently spreading the gospel one city at a time. Recently, that meant a quick stop at The Cutting Room Studios in NYC for a live-to-air session with our friends at KEXP Seattle. In its' aftermath, we're obviously converted...and we don't think you stand a chance either.