In hindsight, it's pretty easy to make fun of Jane's Addiction. They were utterly self-indulgent and relentlessly self-congratulatory, yet consistently championed by older siblings and the cool high school crowd. But -- and this is a huge but -- at the time they seemed like the best band in the world. They were colorful, frantically energetic and introduced the concept of irreverence (postured though it was) to millions of kids who otherwise got along with their parents. Perry Farrell's delay-laden wail is unmistakable, and along with Dave Navarro's bombastic guitar anti-heroism, Jane's Addiction crafted a huge, hybridized sound that helped define the soon-to-be-coined "alternative." They disbanded after only three full-length releases. Farrell and drummer Stephen Perkins soon formed Porno for Pyros, while Navarro joined the equally outrageous Red Hot Chili Peppers.
Jane's Addiction Concert Films
Live at The Enmore Theatre
Runtime: 1 hr 16 minJane's Addiction is an American alternative rock band formed in Los Angeles, California in 1985. They were one of the first bands to emerge from the early 1990s alternative rock movement to gain mainstream media attention and commercial success in the United States. Their initial farewell tour launched the first Lollapalooza festival, an alternative rock showcase. Here they perform at The Enmore Theatre, in Sydney, Australia, on February 23, 2010.
Runtime: 1 hr 17 minFilmed live on Halloween night 2009 at Voodoo Experience in New Orleans, Live Voodoo sees the reunion of the classic Jane's Addiction line-up of Perry Farrell (vocals), Stephen Perkins (drums), Eric Avery (bass) and Dave Navarro (guitar). This spectacular show captures the band on top form with Perry Farrell at his most mesmerizing and the rest of the band clearly enjoying the occasion. The tracklisting is predominantly drawn from their first two albums, which both featured this line-up, and the band are joined on stage by twin girl dancers, whilst the show climaxes with a joyous all singing and dancing stage invasion.
Jane's Addiction Top Tracks
Bug Live at 9:30 Club: In the Hands of the Fans
Runtime: 1 hr 3 minThrough an online contest, six fans are selected to film Dinosaur Jr. performing ""Bug"" in its entirety at the 9:30 Club in Washington DC, June 2011. Experience the fans' joy as they witness a classic performance and meet their heroes face to face in an exclusive interview with the band. Under the awesome direction of Dave Markey (The Year Punk Broke), ""In the Hands of the Fans"" brings the fans closer to the band and the music closer to you. Includes bonus footage of Henry Rollins speaking candidly to Markey about the the band, and interviewing them on stage before the show.
Runtime: 1 hr 17 minAs you can imagine the soundtrack is heavy on the metal and it sounds great, really filling the room, mainly from the front soundstage. The surrounds get a look in for ambience, and some amusing spot effects, and the bass is nice and low.
Live in Houston
Runtime: 1 hr 18 minThis concert by Velvet Revolver was filmed in Houston, Texas in 2005 during the tour in support of their bestselling and Grammy Award winning debut album Contraband. The full length live tracks are intercut with snippets of interview with the various band members talking about how Velvet Revolver came into being. The set list naturally focuses on that debut release but is complimented by two tracks from the Guns n Roses catalog and two tracks from Stone Temple Pilots debut album highlighting the history of the band members. Velvet Revolver are an outstanding live band and are on great form in front of a typically enthusiastic Texan crowd.
Busted Circuits and Ringing Ears
Runtime: 1 hr 30 minThis film spans the entire career of Tad, featuring archival live footage, interviews, music videos, and lost footage, as well as new footage and interviews with the band members and Krist Novoselic (Nirvana), Mark Arm (Mudhoney), Kim Thayil (Soundgarden), Chad Channing (Nirvana), and many others. TAD took the idea of playing LIVE very seriously; it was a life or death matter. This documentary not only stands as testimony, but it's also a cinematic document of the world's HEAVIEST band EVER (as Bruce Pavitt so incisively puts it) boldly stretching that assertion beyond any previously known limitations. Better than a tattoo, it's an open scar that roars, a broken alarm bell ringing from the lost event horizon of a long-dead star, one would never see - that is, until this film clipped it back onto the light box of the silver screen, where it can be deciphered and viewed anew. This documentary telescopes the musical pathology of Tad down to the image of an electrocardiograph recording the minor-mode melody of a final infarct, a demented soundtrack that is neither tame nor de-clawed. It was never meant to be. Dare to feel it, and risk bleeding internally.
Up Close and Personal
Runtime: 57 minVery few bands have had a musical and social impact on the world; however, in its short but monumental career Nirvana certainly did both. This film features powerful footage of the band in action, both in concert and in the studio. In addition, we a team of leading music critics and insiders including Miti Adhikari, the producer of 1991’s historic BBC sessions, and Kurt Cobain’s biographer Charles R. Cross. Features highlights from: Smells Like Teen Spirit, Heart Shaped Box, Rape Me, Sliver, Negative Creep, Pennyroyal Tea and more...
R.E.M. By MTV
Runtime: 1 hr 47 minOn April 5, 1980 four college pals-Bill Berry, Peter Buck, Mike Mills and Michael Stipe-took the stage together for the first time to play at a friend's birthday party. The band they started that night stayed together for thirty years and changed the shape of rock music. R.E.M. By MTV tells R.E.M.'s story in their own words, through three decades of performances and interviews R.E.M gave to MTV channels in the USA and around the world. Featuring revealing, never-before-seen footage, R.E.M. By MTV tells the amazing story of a band that did it their own way, and changed how a generation of musicians after them did it, too.
Pretend We're Dead
Runtime: 1 hr 27 minL7: Pretend We're Dead takes us on an all-access journey into the 1990's grunge movement that took the world by storm, and the band that helped define it as the genre of a generation. Culled from over 100 hours of vintage home movies taken by the band, never-before-seen performance footage, and candid interviews, L7: Pretend We're Dead is an engrossing time capsule told from the perspective of L7, these true insiders who brought their signature blend of grunge punk to the masses! Chronicling the early days of the band's formation in 1985 to their height as the 'queens of grunge,' the film takes a roller coaster ride through L7's triumphs and failures, providing never-before-discussed insight into the band's eventual dissolution in 2001. Formed by Donita Sparks and Suzi Gardner-guitars/vocals, the band completed their lineup with the addition of Jennifer Finch on bass/vocals and Dee Plakas on drums. To highlight the fact that L7 was an all-female group, however, was to miss the point. "Our fans couldn't give a shit if we're women," Sparks says. "We did not set out to be an all-girl band. It just happened that way." Yet the "gender issue" would return time and again for the band; from shock jocks refusing to play "chick rock" to academics accusing the band of "incorrectly" embracing their feminism to hard rock press implying the band was merely riding a wave of "girl power" trendiness. Despite these obstacles, L7: Pretend We're Dead shows the thread of influence the band had not only on rock and roll but on future generations of women everywhere and is, at the end, a testament to the pioneering spirit of a band that refuses to take anything lying down. "They can't hear a word we said, when we pretend that we're dead" Also includes the infamous 1997 documentary "L7 The Beauty Process" that was directed by Krist Novoselic.
Live At The Paradise in Boston
Runtime: 56 minThe Pixies are one of the most influential American acts of all time. Initially spanning the late eighties and early nineties they created the blueprint for alternative rock that would be followed and embellished upon by everyone from grunge to Britpop. After 10 years apart the Pixies reformed in 2004. This program is the second release in our Club Date series and features the Pixies in the intimate Paradise Club in Boston.
Live in Cuba
Runtime: 2 hr 30 minFilmed Live at the Anti-Imperialist Plaza in Havana, Cuba. In may 2005, Audioslave became the first american rock band to ever perform in Cuba. 60,000 screaming fans witnessed this historic event.
Live at the Moore
Runtime: 2 hr 32 minIn 1995, Mike McCready of Pearl Jam, Layne Staley of Alice In Chains, Barrett Martin of the Screaming Trees and bassist John Baker Saunders played their final show as Seattle-grunge supergroup Mad Season at the Moore Theater in Seattle. The new release of "Live At The Moore" features the legendary show remixed and remastered, also newly edited by director Duncan Sharp for a beautiful new documentary-like presentation, giving the show an updated look as if the viewer were in room that night. Fans will be pleased that included are four performances from the show that have never been seen, including the fan-favorite "Wake Up." Also featured is a full concert of Mad Season's performance from New Years Eve 1994 at RKCNDY in Seattle (which was shot by the band's crew for an up close and intimate look at the band), both performances from Pearl Jam's pirate radio special, "Self-Pollution Radio," and the music video for the hit single "River of Deceit".
Alive in the Windy City
Stone Temple Pilots
Runtime: 1 hr 17 minFilmed at a sold-out Riviera Theatre in Chicago in March 2010, “Alive In The Windy City” is the first Stone Temple Pilots live concert to be authorized for video release. The band is in top form, and the show both looks and sounds spectacular. The concert was held shortly before the release of their recent “Stone Temple Pilots” album, and the tracklisting combines new songs interspersed with their classic hits. This is a great live concert by one of the most successful rock acts of the last twenty years.
Single Video Theory
Runtime: 45 minSingle Video Theory is a music documentary directed by Mark Pellington that follows the making of Yield, the fifth album by the American alternative rock band Pearl Jam. The film was shot in 16mm film over three days in November 1997 in downtown Seattle. It features interviews with the band members and behind-the-scenes footage of the band's rehearsal sessions for its shows opening for The Rolling Stones. The documentary illustrates how the band began to widen the songwriting responsibilities of its members, with bassist Jeff Ament credited with writing "Pilate" and "Low Light", and guitarist Mike McCready taking part in writing "Given to Fly" with vocalist Eddie Vedder. It was the first insight into the band's inner workings of its recording sessions, which had previously been shielded from the public.
The Ultimate Review
Red Hot Chili Peppers
Runtime: 1 hr 8 minThe rare ability to blend a raw hard rock sound with funk is the formula which propelled the Red Hot Chili Peppers from obscurity to international superstardom. Drawing on live performance footage drawn from Woodstock and Red Square, extensive interviews with the band, along with the reflections of band insiders such as former producer Andy Gill this is the powerful independent critical review of the Red Hot Chili Peppers. Featuring highlights from: Power of Equality, Under the Bridge, Give It Away, If You Have to Ask, Aeroplane and more...
The Battle of Mexico City
Rage Against The Machine
Runtime: 1 hr 35 minOutside Mexico City's Sports Pavilion, hundreds of young Rage fans rattle metal fences and throw rocks at the increasingly nervous police. Inside, a seething crowd of 5,000 lucky ticket holders cram into the cavernous pavilion chanting anti-government slogans and poking their middle fingers into the thick, sweaty air while waiting for Rage Against the Machine to storm the stage.
One of the greatest live acts in music history, Rage only affirms that fact with this show. Whatever club, theater, arena, or stadium they're in, the opening of each Rage Against the Machine show always feels like a grenade has gone off. But this night it was as if a truckful of bombs blew up as the band tore into the opening salvo of "Testify." Fans cascaded toward the stage like rippling waves stopping only to pogo up-and-down like jackhammers.
Longtime supporters of various political causes in Mexico, Rage were performing for the very first time in Mexico City. The connection between the band and the audience is electric. From the early "all hell can't stop us now" chant in "Guerilla Radio" to the blood-curling screams in the finale of "Freedom," there is an urgency at this show that is unrivaled. This is live rock & roll as it's meant to be heard: fierce, funky, uncompromising. This is Rage Against the Machine in their finest hour.