Jason Isbell Concert Films
The Musical Mojo of Dr. John: A Celebration of Mac & His Music
Runtime: 1 hr 41 minOn Saturday, May 3, 2014, esteemed musicians and friends joined together for “The Musical Mojo of Dr. John: A Celebration of Mac & His Music”, a special concert event taping honoring this musical icon in his hometown of New Orleans. Taking place at the historic Saenger Theatre in the French Quarter, the concert paid homage to Dr. John’s illustrious songbook and featured once-in-a-lifetime collaborations from a lineup of prestigious and award-winning artists. Produced by Blackbird Presents blackbirdpresents.com
Live at Austin City Limits
Runtime: 1 hr 29 minNashville, TN – On August 19, 2013, Jason Isbell and his band The 400 Unit, stepped out onto the stage in front of a live audience in Austin, TX to film his first appearance on the longest running original music series in the U.S., Austin City Limits.
Isbell performs songs from his critically acclaimed, award-winning album Southeastern along with songs from throughout his career, including fan favorites “Outfit” and “Decoration Day”. The set closed with a rousing rendition of the Rolling Stones’ “Can’t You Hear Me Knocking”, a live staple.
In September, Isbell won Artist of the Year, Song of the Year (“Cover Me Up”) and Album of the Year for Southeastern. In October, Isbell reached a major milestone by selling out three consecutive nights at Nashville’s historic Ryman Auditorium.
One More For the Fans: Celebrating The Songs & Music of Lynyrd Skynyrd
Runtime: 1 hr 44 minLynyrd Skynyrd, One More For The Fans, was filmed on November 12, 2014, as an extraordinary collection of artists came together at the historic Fox Theatre in Atlanta, GA to perform and celebrate the songs of Lynyrd Skynyrd, one of the most influential bands of our time. This unique concert event centered around performances by Lynyrd Skynyrd and features music legends and young talent culled from multiple genres including Classic Rock, Country, and Americana.
Artists include Trace Adkins, Alabama, Gregg Allman, Blackberry Smoke, Cheap Trick, Charlie Daniels, Peter Frampton, Gov’t Mule, Warren Haynes, John Hiatt, Randy Houser, Jason Isbell, Jamey Johnson, Aaron Lewis, moe., O.A.R., Robert Randolph and Donnie Van Zant. Highlights include a unique rendition of “Travelin’ Man” with Johnny Van Zant singing along with an archival video of his late brother, Ronnie, performing, as well as a rousing rendition of “Sweet Home Alabama” with Skynyrd inviting the entire star-studded line-up up on stage. Produced by Blackbird Presents blackbirdpresents.com
Jason Isbell Top Tracks
Beneath this Gruff Exterior
Runtime: 54 minInventive performer and poignant songwriter John Hiatt captures the attention of fans and critics alike. In this Soundstage performance, which features Dar Williams and Robinella and the CCstringband, Hiatt performs "My Baby Blue" from his most recent album Beneath This Gruff Exterior. He also showcases timeless pieces like "The Thing Called Love" and "Memphis in the Meantime." Folk-rocker Dar Williams takes the stage to perform "I Saw a Bird Fly Away," a piece which encapsulates Williams' ability to combine sensitivity with not only pathos, but also a sharp wit. East Tennessee natives Robinella and the CCstringband close out the show with new songs including "Honey Honey Bee" and "Man Over." Both songs are a testament to the acclaim that this jazz-bluegrass-swing band has earned from not just critics, but fans and peers alike.
Live at The Orange Peel and Tennessee Theatre
Old Crow Medicine Show
Runtime: 1 hr 14 minDirected by Lee Tucker (who also directed the band's videos for "Wagon Wheel" and "Tell It To Me"), Live at the Orange Peel and Tennessee Theatre was recorded over two nights in December 2008 and features performances of 20 songs-15 of which are from the band's three studio albums (OCMS, Big Iron World, Tennessee Pusher) - including "Tell It To Me," "Down Home Girl," "Alabama High-Test," and "Wagon Wheel." The video also includes five tracks from their live repertoire not found on their three studio albums: "Wheeling Breakdown," "Raise A Ruckus," "Reuben's Train," "Sally Anne" and "Shack #9."
Black Ice Vérité
Drive By Truckers
Runtime: 1 hr 5 min"This truly is Armageddon." said the local Athens, GA meteorologist on the seemingly sub-zero night last winter that the Drive-By Truckers were scheduled to play live at the 40 Watt. Luckily no snow, ice or hail could stop the band from firing up the room as they performed their critically acclaimed 12th LP, English Oceans, in full. Titled Black Ice Verite, fans will be able to re-live this concert experience as a live film. As the final track on English Oceans,"Grand Canyon" brings together both the record and the band's 40 Watt performance, as it is an emotionally overwhelming elegy for Craig Lieske. Lieske was a longtime member of DBT's touring family, a former manager of the 40 Watt Club and a key player in the city's experimental music scene. Lieske died suddenly of a heart attack in January 2013 following the first night of the band's three-night homecoming stand in Athens. English Oceans is dedicated to him.
Live at Hangout Music Fest 2014
The Avett Brothers
Runtime: 1 hr 15 minThe Avett Brothers are an American folk rock band from North Carolina. The band is made up of two brothers, Scott Avett and Seth Avett, as well as Bob Crawford (double bass) and Joe Kwon (cello). Mike Marsh (drums), Tania Elizabeth (violin) and Paul Defiglia (keyboard) are touring members of the band, with Kwon featured on recordings from 2007's Emotionalism and later. In this full-length music feature the band takes up the stage at the Hangout Music Fest in 2014 to perform their most beloved hits such as “Head Full of Doubt/Road Full of Promise,” “Down with the Shine, ”Pretty Girl from Chile,” “I and Love and You,” and many more.
Live at Factory Theatre
Runtime: 2 hr 1 minWhen the bespectacled alt-country legend took to the stage at The Factory Theatre armed with just his bouzouki and larger-than-life attitude, every ear in the place was in the palm of his hand right from the get-go. Planting himself by the microphone in front of a hushed crowd, Earle kicked off proceedings with the sprightly ‘Waitin’ For The Sky to Fall’.