The phenomenal success of Foo Fighters demonstrates that Nirvana were a talented trio, and not just a rickety pair of training wheels for Kurt Cobain's wild ride into fame and annihilation. Obscured behind a smokescreen of publicity and deadened by the effects of endless radio play, Nirvana's music nonetheless holds its own as some of the very best of the 1990s. Krist Novoselic, Dave Grohl and Cobain managed to direct molten flows of white noise into melodic channels navigable by mainstream listeners. Cobain's lyrics, meanwhile, were imbued with the Pentecostal passion of someone speaking in tongues. Traveling in rapid pendulum swings from mania to catatonia, his singing conveyed the pain of a soul mortgaged deep in addiction and depression. He was a man trying desperately to make sense, through song, of the world around him -- something not often heard in Top-40 music. It's unfortunate that the nihilistic elements of Cobain's life and art were so widely and readily embraced by a Pied Piper-following cadre of Kurtophiles bent on viewing self-destruction as ennobling. Nirvana never aspired to be the anti-heroic role models that certain hopeless souls among us needed them to be. To m... See More
Nirvana Concert Films
Classic Albums: Nevermind
Runtime: 49 min"Nevermind" was the second album from the Seattle trio and the first on the DGC label (it's predecessor "Bleach" was released on the Sub Pop label). It was produced by Butch Vig (also the drummer for the band Garbage) and mixed by Andy Wallace. Nirvana's surviving members Krist Novoselic (bass) and Dave Grohl (drums) talk candidly about their past, the recording of Nevermind and about Kurt Cobain and the legacy that he has left behind. Also featured are exclusive interviews with the likes of Garry Gersh (A&R DGC Records), Butch Vig, Jonathan Ponneman and Nils Bernstein (Sub Pop Records), Thurston Moore (Sonic Youth), Jack Endino, and many more.
Kurt Cobain: About a Son
Runtime: 1 hr 37 minAn intimate and moving meditation on the late musician and artist Kurt Cobain, based on more than 25 hours of previously unheard audiotaped interviews conducted with Cobain by noted music journalist Michael Azerrad for his book "Come As You Are: The Story of Nirvana." In the film, Kurt Cobain recounts his own life - from his childhood and adolescence to his days of musical discovery and later dealings with explosive fame - and offers often piercing insights into his life, music, and times. The conversations heard in the film have never before been made public and they reveal a highly personal portrait of an artist much discussed but not particularly well understood.
Live At Reading
Runtime: 1 hr 37 minRanked #1 in Kerrang Magazine's "100 Gigs That Shook The World" and voted as "Nirvana's #1 Greatest Moment" by fans in an NME poll, Nirvana's historic August 30, 1992 stands as a watershed moment in the history of rock. While the show's centerpiece was a performance of nearly the entire Nevermind tracklist, also noteworthy were early performances of three as yet unrecorded songs which wouldn’t be released until 2 years later on In Utero: "All Apologies," "Dumb," and in its first ever public performance, "Tourettes." The career-spanning setlist also reached back to the band's 1989 Sub Pop debut album, Bleach, for "Blew," "About A Girl," "School," "Negative Creep" and first single "Love Buzz," and even further back to the mid-'80s for "Spank Thru." Other songs from the Reading set would appear in studio form on the Incesticide compilation later in the year: "Aneurysm," "Been A Son" and "Sliver." Additionally, the band played a pair of beloved covers by two bands that helped shape the formative Nirvana sound– "The Money Will Roll Right In" by Fang and "D-7" by The Wipers.
Live At The Paramount
Runtime: 1 hr 11 minFive weeks after releasing what was to become the seminal album of a generation, Nirvana was on a nationwide club and small theatre tour that brought them to Seattle’s Paramount Theatre for a very special Halloween 1991 homecoming show. Launching the nineteen song set with a brilliant cover of the Vaselines’ “Jesus Doesn’t Want Me For A Sunbeam,” the band tears through Nevermind hits like “Smells Like Teen Spirit,” “Lithium” and “Breed,” plus earlier favorites like “School,” “Love Buzz” and “About A Girl” and a very early version of “Rape Me.”
1991: The Year Punk Broke
Sonic Youth, Nirvana and The Ramones
Runtime: 1 hr 38 minA visual document of Sonic Youth's 1991 European festival tour, which saw the aristocracy of the American Underground making their first inroads into the mainstream. Sonic Youth's lead singer Thurston Moore offers sardonic swipes at his band's position as the Royal Family of Alternative Rock, whilst a pre-'Nevermind' Nirvana skulk in the background, along with fellow courtesans Babes in Toyland, Dinosaur Jr, Gumball and The Ramones.
Nirvana Top Tracks
Live at The Enmore Theatre
Runtime: 1 hr 16 minJane's Addiction is an American alternative rock band formed in Los Angeles, California in 1985. They were one of the first bands to emerge from the early 1990s alternative rock movement to gain mainstream media attention and commercial success in the United States. Their initial farewell tour launched the first Lollapalooza festival, an alternative rock showcase. Here they perform at The Enmore Theatre, in Sydney, Australia, on February 23, 2010.
Zénith Paris 2013
Queens of the Stone Age
Runtime: 1 hr 38 minGet your fill of riff-oriented heavy rock with this dark and moody performance by Queens of the Stone Age. Best enjoyed with the volume turned up high!
The Battle of Mexico City
Rage Against The Machine
Runtime: 1 hr 35 minOutside Mexico City's Sports Pavilion, hundreds of young Rage fans rattle metal fences and throw rocks at the increasingly nervous police. Inside, a seething crowd of 5,000 lucky ticket holders cram into the cavernous pavilion chanting anti-government slogans and poking their middle fingers into the thick, sweaty air while waiting for Rage Against the Machine to storm the stage.
One of the greatest live acts in music history, Rage only affirms that fact with this show. Whatever club, theater, arena, or stadium they're in, the opening of each Rage Against the Machine show always feels like a grenade has gone off. But this night it was as if a truckful of bombs blew up as the band tore into the opening salvo of "Testify." Fans cascaded toward the stage like rippling waves stopping only to pogo up-and-down like jackhammers.
Longtime supporters of various political causes in Mexico, Rage were performing for the very first time in Mexico City. The connection between the band and the audience is electric. From the early "all hell can't stop us now" chant in "Guerilla Radio" to the blood-curling screams in the finale of "Freedom," there is an urgency at this show that is unrivaled. This is live rock & roll as it's meant to be heard: fierce, funky, uncompromising. This is Rage Against the Machine in their finest hour.
Meeting People is Easy: A Film by Grant Lee about Radiohead
Runtime: 1 hr 34 minMEETING PEOPLE IS EASY presents a visual diary of Radiohead's 1997-98 world tour in support of their acclaimed album OK COMPUTER. The film includes behind-the-scenes and concert footage of the innovative band in Barcelona, Paris, New York, and Tokyo. Interviews with band members Thom Yorke, Jonny Greenwood, Colin Greenwood, Ed O'Brien, and Phil Selway, along with director Grant Gee's artfully probing camera, provide candid, revealing insights into the difficulties of dealing with the unwelcome label of "rock star." This often melancholy documentary features clips of songs such as "Lucky," "Airbag," "A Reminder," "Paranoid Android," "Street Spirit," and "Electioneering."
We Come In Pieces
Runtime: 1 hr 24 minThis concert was filmed at London’s Brixton Academy in September 2010 at the culmination of the world tour in support of their “Battle For The Sun” album released the previous year. The tour had been an unqualified success with the band playing to over 2.5 million fans in all parts of the world. The concert film is a visual feast enhancing the live footage with skillful editing and selective digital effects to create a stunning film that really captures the essence of a Placebo live performance.
R.E.M. By MTV
Runtime: 1 hr 47 minOn April 5, 1980 four college pals-Bill Berry, Peter Buck, Mike Mills and Michael Stipe-took the stage together for the first time to play at a friend's birthday party. The band they started that night stayed together for thirty years and changed the shape of rock music. R.E.M. By MTV tells R.E.M.'s story in their own words, through three decades of performances and interviews R.E.M gave to MTV channels in the USA and around the world. Featuring revealing, never-before-seen footage, R.E.M. By MTV tells the amazing story of a band that did it their own way, and changed how a generation of musicians after them did it, too.
Bug Live at 9:30 Club: In the Hands of the Fans
Runtime: 1 hr 3 minThrough an online contest, six fans are selected to film Dinosaur Jr. performing ""Bug"" in its entirety at the 9:30 Club in Washington DC, June 2011. Experience the fans' joy as they witness a classic performance and meet their heroes face to face in an exclusive interview with the band. Under the awesome direction of Dave Markey (The Year Punk Broke), ""In the Hands of the Fans"" brings the fans closer to the band and the music closer to you. Includes bonus footage of Henry Rollins speaking candidly to Markey about the the band, and interviewing them on stage before the show.
Pretend We're Dead
Runtime: 1 hr 27 minL7: Pretend We're Dead takes us on an all-access journey into the 1990's grunge movement that took the world by storm, and the band that helped define it as the genre of a generation. Culled from over 100 hours of vintage home movies taken by the band, never-before-seen performance footage, and candid interviews, L7: Pretend We're Dead is an engrossing time capsule told from the perspective of L7, these true insiders who brought their signature blend of grunge punk to the masses! Chronicling the early days of the band's formation in 1985 to their height as the 'queens of grunge,' the film takes a roller coaster ride through L7's triumphs and failures, providing never-before-discussed insight into the band's eventual dissolution in 2001. Formed by Donita Sparks and Suzi Gardner-guitars/vocals, the band completed their lineup with the addition of Jennifer Finch on bass/vocals and Dee Plakas on drums. To highlight the fact that L7 was an all-female group, however, was to miss the point. "Our fans couldn't give a shit if we're women," Sparks says. "We did not set out to be an all-girl band. It just happened that way." Yet the "gender issue" would return time and again for the band; from shock jocks refusing to play "chick rock" to academics accusing the band of "incorrectly" embracing their feminism to hard rock press implying the band was merely riding a wave of "girl power" trendiness. Despite these obstacles, L7: Pretend We're Dead shows the thread of influence the band had not only on rock and roll but on future generations of women everywhere and is, at the end, a testament to the pioneering spirit of a band that refuses to take anything lying down. "They can't hear a word we said, when we pretend that we're dead" Also includes the infamous 1997 documentary "L7 The Beauty Process" that was directed by Krist Novoselic.
Single Video Theory
Runtime: 45 minSingle Video Theory is a music documentary directed by Mark Pellington that follows the making of Yield, the fifth album by the American alternative rock band Pearl Jam. The film was shot in 16mm film over three days in November 1997 in downtown Seattle. It features interviews with the band members and behind-the-scenes footage of the band's rehearsal sessions for its shows opening for The Rolling Stones. The documentary illustrates how the band began to widen the songwriting responsibilities of its members, with bassist Jeff Ament credited with writing "Pilate" and "Low Light", and guitarist Mike McCready taking part in writing "Given to Fly" with vocalist Eddie Vedder. It was the first insight into the band's inner workings of its recording sessions, which had previously been shielded from the public.
Live at the Moore
Runtime: 2 hr 32 minIn 1995, Mike McCready of Pearl Jam, Layne Staley of Alice In Chains, Barrett Martin of the Screaming Trees and bassist John Baker Saunders played their final show as Seattle-grunge supergroup Mad Season at the Moore Theater in Seattle. The new release of "Live At The Moore" features the legendary show remixed and remastered, also newly edited by director Duncan Sharp for a beautiful new documentary-like presentation, giving the show an updated look as if the viewer were in room that night. Fans will be pleased that included are four performances from the show that have never been seen, including the fan-favorite "Wake Up." Also featured is a full concert of Mad Season's performance from New Years Eve 1994 at RKCNDY in Seattle (which was shot by the band's crew for an up close and intimate look at the band), both performances from Pearl Jam's pirate radio special, "Self-Pollution Radio," and the music video for the hit single "River of Deceit".
Alive in the Windy City
Stone Temple Pilots
Runtime: 1 hr 17 minFilmed at a sold-out Riviera Theatre in Chicago in March 2010, “Alive In The Windy City” is the first Stone Temple Pilots live concert to be authorized for video release. The band is in top form, and the show both looks and sounds spectacular. The concert was held shortly before the release of their recent “Stone Temple Pilots” album, and the tracklisting combines new songs interspersed with their classic hits. This is a great live concert by one of the most successful rock acts of the last twenty years.
Live at Soundstage
Runtime: 40 minQuintessential alternative rockers, Sonic Youth, celebrate free-form experimentalism while reinforcing their performance-art driven tradition in this Soundstage performance. The band, which settles just outside the realm of definition, delivers a part rock, part free-form noise, part avant-garde punk performance which features a new song "Sympathy for the Strawberry."
Acoustic - Live in Newport
Runtime: 56 minThe Pixies are one of the most influential American acts of all time. Initially spanning the late eighties and early nineties they created the blueprint for alternative rock that would be followed and embellished upon by everyone from grunge to Britpop. After 10 years apart the Pixies reformed in 2004. This film features their first ever all acoustic performance filmed at the famous Newport Folk Festival and is a companion to the simultaneously released Club Date: Live At The Paradise Club, Boston.
Busted Circuits and Ringing Ears
Runtime: 1 hr 30 minThis film spans the entire career of Tad, featuring archival live footage, interviews, music videos, and lost footage, as well as new footage and interviews with the band members and Krist Novoselic (Nirvana), Mark Arm (Mudhoney), Kim Thayil (Soundgarden), Chad Channing (Nirvana), and many others. TAD took the idea of playing LIVE very seriously; it was a life or death matter. This documentary not only stands as testimony, but it's also a cinematic document of the world's HEAVIEST band EVER (as Bruce Pavitt so incisively puts it) boldly stretching that assertion beyond any previously known limitations. Better than a tattoo, it's an open scar that roars, a broken alarm bell ringing from the lost event horizon of a long-dead star, one would never see - that is, until this film clipped it back onto the light box of the silver screen, where it can be deciphered and viewed anew. This documentary telescopes the musical pathology of Tad down to the image of an electrocardiograph recording the minor-mode melody of a final infarct, a demented soundtrack that is neither tame nor de-clawed. It was never meant to be. Dare to feel it, and risk bleeding internally.
Live in Cuba
Runtime: 2 hr 30 minFilmed Live at the Anti-Imperialist Plaza in Havana, Cuba. In may 2005, Audioslave became the first american rock band to ever perform in Cuba. 60,000 screaming fans witnessed this historic event.
Bullet in a Bible
Runtime: 1 hr 56 minFeaturing Green Day's first live film, Bullet in a Bible captures the explosive band on the biggest tour in it's career, in support of the Grammy-winning, quadruple-platinum, #1 charting "American Idiot" punk-rock epic. From two performances filmed in June 2005 before 65,000 fans, both in Milton Keynes in England, to the film's documentary segments following the band members around that city as they visit a war museum and various pubs, and share in-depth insights on the making and meaning of "American Idiot", Green Day is #1 with a Bullet in a Bible.
Watch Green Day Bullet in a Bible full live concert right here on Qello Concerts!