Sweden's Opeth specialize in doom-laden, downtrodden epics that combine elements of '70s Progressive Rock, melodic Death Metal, and Scandinavian folk music. Their songs move through blazing Metal sections, somber acoustic guitar picking, classical piano interludes, and majestic dual guitar harmonizing -- often without revealing any discernible underlying theme until, say, the tenth listen. Songs run in the ten minute range (though twenty isn't out of the question), with very little repetition. Listening takes patience, for one thing, as well as a fondness for the cold, dark gray atmosphere and borderline self-pitying sense they exude. Then there are the vocals, which alternate between deep growls that could send a bear cowering back into his cave, and clean, melodic singing that could put a crying baby to sleep within seconds. Clearly, this band isn't for everyone, but they haven't become one of the most talked about underground Metal bands of the last decade-plus for nothing.
Opeth Concert Films
Live at Enmore Theatre
Runtime: 1 hr 55 minWe got the opportunity to attend one of the most anticipated metal gigs of the year so far. The lights went down and the mighty Opeth entered the stage with the crowd roaring for them. Opeth blew the roof off the Enmore in Sydney, playing as amazingly as they always do. After they were all plugged in they began playing one of their hit songs. Effortlessly the members of Opeth themselves were getting lost in the music and drawing you in with them into a tranced atmospheric dimension as lead vocalist and guitarist Mikael Åkerfeldt’s voice carried through the venue.
Opeth Top Tracks
A Band Called Death
Runtime: 1 hr 36 minFilmmakers Mark Christopher Covino and Jeff Howlett profile obscure, early-1970s Detroit proto-punk outfit Death, who disbanded before releasing a single album, but who were vindicated nearly 30 years later when their 1974 demo tape was released to much fanfare. Formed by three Detroit siblings six years before the Sex Pistols stormed the airwaves with "God Save the Queen," Death's blisteringly aggressive music was initially dismissed by record labels more interested in cashing-in on the glitzy disco craze. As contracts were cancelled and debts mounted, the band that ushered in a dangerous new era of music vanished into obscurity. Three decades later, however, the discovery of Death's only demo reveals just how far ahead of their time the band really was.
Coma Ecliptic: Live
Between the Buried and Me
Runtime: 1 hr 11 minMetal Blade Records, in association with Good Fight Entertainment, present Between the Buried and Me "Coma Ecliptic: Live". The concert, which features the band performing "Coma Ecliptic" in its entirety, was filmed live on location October 4th, 2015 at The Observatory North Park in San Diego, CA. Bassist Dan Briggs comments: "The genesis of the Coma Ecliptic filming was based around capturing the look and feel of the show our lighting director Chris Hill produced for the full album set. It's such an important record for us and our progression as a band and the visual representation captures the moods of our tragic tale so well. It's the perfect way to wrap up the last two years we've been living with this album day in and day out!"
Live at the Aragon
Runtime: 2 hr 9 minLive At The Aragon follows in the wake of the band's acclaimed conceptual masterwork Crack The Skye, released in March 2009 to thunderous accolades, and finished out the year even stronger as it found its way onto numerous "Best of 2009" critics lists and readers polls, including an impressive No. 8 position on the prestigious Village Voice Annual Pazz & Jop Poll.