Many accused Pearl Jam of being a mainstream hard rock band that happened to hop on the alt rock gravy train at its busiest stop (Grungeville circa late 1991/early 1992), thereby reaping the benefits of constant exposure on suddenly flannel-friendly MTV with hit videos for "Alive," "Even Flow" and, most notably, "Jeremy." In the wake of the unpredictable success of their multi-platinum anthem-fest/debut Ten, Eddie Vedder eventually got used to being a celebrity. Not coincidentally, the band bravely began messing with its straight-ahead rock formula around that same time: "Spin the Black Circle" married punk with garage rock, "Off He Goes" put their own "Daughter" to shame for fireside ambiance, "Around the Bend" manifested the effects of Mirror Ball (their 1995 collaboration with Neil Young) soft and clear, and "Low Light" out-R.E.M.'d R.E.M. in its waltzing, acoustic beauty. In 2000, Pearl Jam began releasing no less than 72 volumes of live material chronicling the American and European legs of their tour in support of Binaural, which came out the same year. 2002's Riot Act proved that the band was as relevant as ever, and in 2006 they returned with a self-titled, heavy blast of a... See More
Pearl Jam Concert Films
Single Video Theory
Runtime: 45 minSingle Video Theory is a music documentary directed by Mark Pellington that follows the making of Yield, the fifth album by the American alternative rock band Pearl Jam. The film was shot in 16mm film over three days in November 1997 in downtown Seattle. It features interviews with the band members and behind-the-scenes footage of the band's rehearsal sessions for its shows opening for The Rolling Stones. The documentary illustrates how the band began to widen the songwriting responsibilities of its members, with bassist Jeff Ament credited with writing "Pilate" and "Low Light", and guitarist Mike McCready taking part in writing "Given to Fly" with vocalist Eddie Vedder. It was the first insight into the band's inner workings of its recording sessions, which had previously been shielded from the public.
Pearl Jam Top Tracks
The Morning View Sessions
Runtime: 1 hr 49 minOctober 23, 2001, on the release day of their album "Morning View," Incubus assembled in Sony's New York City studios to perform an intimate concert of their new material.
Live in Houston
Runtime: 1 hr 18 minThis concert by Velvet Revolver was filmed in Houston, Texas in 2005 during the tour in support of their bestselling and Grammy Award winning debut album Contraband. The full length live tracks are intercut with snippets of interview with the various band members talking about how Velvet Revolver came into being. The set list naturally focuses on that debut release but is complimented by two tracks from the Guns n Roses catalog and two tracks from Stone Temple Pilots debut album highlighting the history of the band members. Velvet Revolver are an outstanding live band and are on great form in front of a typically enthusiastic Texan crowd.
Busted Circuits and Ringing Ears
Runtime: 1 hr 30 minThis film spans the entire career of Tad, featuring archival live footage, interviews, music videos, and lost footage, as well as new footage and interviews with the band members and Krist Novoselic (Nirvana), Mark Arm (Mudhoney), Kim Thayil (Soundgarden), Chad Channing (Nirvana), and many others. TAD took the idea of playing LIVE very seriously; it was a life or death matter. This documentary not only stands as testimony, but it's also a cinematic document of the world's HEAVIEST band EVER (as Bruce Pavitt so incisively puts it) boldly stretching that assertion beyond any previously known limitations. Better than a tattoo, it's an open scar that roars, a broken alarm bell ringing from the lost event horizon of a long-dead star, one would never see - that is, until this film clipped it back onto the light box of the silver screen, where it can be deciphered and viewed anew. This documentary telescopes the musical pathology of Tad down to the image of an electrocardiograph recording the minor-mode melody of a final infarct, a demented soundtrack that is neither tame nor de-clawed. It was never meant to be. Dare to feel it, and risk bleeding internally.
Live at The Enmore Theatre
Runtime: 1 hr 16 minJane's Addiction is an American alternative rock band formed in Los Angeles, California in 1985. They were one of the first bands to emerge from the early 1990s alternative rock movement to gain mainstream media attention and commercial success in the United States. Their initial farewell tour launched the first Lollapalooza festival, an alternative rock showcase. Here they perform at The Enmore Theatre, in Sydney, Australia, on February 23, 2010.
R.E.M. By MTV
Runtime: 1 hr 47 minOn April 5, 1980 four college pals-Bill Berry, Peter Buck, Mike Mills and Michael Stipe-took the stage together for the first time to play at a friend's birthday party. The band they started that night stayed together for thirty years and changed the shape of rock music. R.E.M. By MTV tells R.E.M.'s story in their own words, through three decades of performances and interviews R.E.M gave to MTV channels in the USA and around the world. Featuring revealing, never-before-seen footage, R.E.M. By MTV tells the amazing story of a band that did it their own way, and changed how a generation of musicians after them did it, too.
Rage Against The Machine
Runtime: 1 hr 24 minRage Against the Machine released this self-titled film in 1997, collecting live concert footage and music videos of some of their best material. The band starts with a passionate rendition of Bruce Springsteen's "Ghost of Tom Joad" live from the Irvine Meadows in Irvine, CA. The well-filmed performance captures Rage near the top of their game. Seeing Zack de la Rocha interact with a large crowd and the band work a tight, incendiary groove is required to understand the appeal of the now-defunct political rock band. This is underscored by "People of the Sun" and four other songs live from the Rock Am Ring Festival in Germany, where Rage plays before what must be 100,000 people. The second half of the film is filled with six music videos, including "Freedom" and "Memory of the Dead (Land and Liberty)."
August and Everything After
Runtime: 1 hr 18 minCounting Crows’ debut album “August and Everything After” was an instant success on its release in late 1993 and went on to sell over 7 million copies in America. In the UK it charted at No.16 and has sold over 400,000 copies. On September 18, 2007, the band performed the complete album live for the first time at Town Hall in New York City. The gig was filmed in high definition and is now presented here as the first ever Counting Crows live concert release. The band has maintained a hugely successful career with global album sales now in excess of 20 million but they have always saved their finest moments for the live arena.
Bug Live at 9:30 Club: In the Hands of the Fans
Runtime: 1 hr 3 minThrough an online contest, six fans are selected to film Dinosaur Jr. performing ""Bug"" in its entirety at the 9:30 Club in Washington DC, June 2011. Experience the fans' joy as they witness a classic performance and meet their heroes face to face in an exclusive interview with the band. Under the awesome direction of Dave Markey (The Year Punk Broke), ""In the Hands of the Fans"" brings the fans closer to the band and the music closer to you. Includes bonus footage of Henry Rollins speaking candidly to Markey about the the band, and interviewing them on stage before the show.
Pretend We're Dead
Runtime: 1 hr 27 minL7: Pretend We're Dead takes us on an all-access journey into the 1990's grunge movement that took the world by storm, and the band that helped define it as the genre of a generation. Culled from over 100 hours of vintage home movies taken by the band, never-before-seen performance footage, and candid interviews, L7: Pretend We're Dead is an engrossing time capsule told from the perspective of L7, these true insiders who brought their signature blend of grunge punk to the masses! Chronicling the early days of the band's formation in 1985 to their height as the 'queens of grunge,' the film takes a roller coaster ride through L7's triumphs and failures, providing never-before-discussed insight into the band's eventual dissolution in 2001. Formed by Donita Sparks and Suzi Gardner-guitars/vocals, the band completed their lineup with the addition of Jennifer Finch on bass/vocals and Dee Plakas on drums. To highlight the fact that L7 was an all-female group, however, was to miss the point. "Our fans couldn't give a shit if we're women," Sparks says. "We did not set out to be an all-girl band. It just happened that way." Yet the "gender issue" would return time and again for the band; from shock jocks refusing to play "chick rock" to academics accusing the band of "incorrectly" embracing their feminism to hard rock press implying the band was merely riding a wave of "girl power" trendiness. Despite these obstacles, L7: Pretend We're Dead shows the thread of influence the band had not only on rock and roll but on future generations of women everywhere and is, at the end, a testament to the pioneering spirit of a band that refuses to take anything lying down. "They can't hear a word we said, when we pretend that we're dead" Also includes the infamous 1997 documentary "L7 The Beauty Process" that was directed by Krist Novoselic.
Zénith Paris 2013
Queens of the Stone Age
Runtime: 1 hr 38 minGet your fill of riff-oriented heavy rock with this dark and moody performance by Queens of the Stone Age. Best enjoyed with the volume turned up high!
Dave Matthews Band
Runtime: 2 hr 16 minThis film follows the Dave Matthews Band to Brixton Academy in London, on June 26, 2009. Dave Matthews, Carter Beauford, Stefan Lessard, Boyd Tinsley, Jeff Coffin, Tim Reynolds, and Rashawn Ross perform in front of a sold-out crowd and serve up fan favorites "Crash Into Me," "Funny the Way It Is," "#41," and many more.
Live at the Moore
Runtime: 2 hr 32 minIn 1995, Mike McCready of Pearl Jam, Layne Staley of Alice In Chains, Barrett Martin of the Screaming Trees and bassist John Baker Saunders played their final show as Seattle-grunge supergroup Mad Season at the Moore Theater in Seattle. The new release of "Live At The Moore" features the legendary show remixed and remastered, also newly edited by director Duncan Sharp for a beautiful new documentary-like presentation, giving the show an updated look as if the viewer were in room that night. Fans will be pleased that included are four performances from the show that have never been seen, including the fan-favorite "Wake Up." Also featured is a full concert of Mad Season's performance from New Years Eve 1994 at RKCNDY in Seattle (which was shot by the band's crew for an up close and intimate look at the band), both performances from Pearl Jam's pirate radio special, "Self-Pollution Radio," and the music video for the hit single "River of Deceit".
Alive in the Windy City
Stone Temple Pilots
Runtime: 1 hr 17 minFilmed at a sold-out Riviera Theatre in Chicago in March 2010, “Alive In The Windy City” is the first Stone Temple Pilots live concert to be authorized for video release. The band is in top form, and the show both looks and sounds spectacular. The concert was held shortly before the release of their recent “Stone Temple Pilots” album, and the tracklisting combines new songs interspersed with their classic hits. This is a great live concert by one of the most successful rock acts of the last twenty years.
Water On The Road
Runtime: 1 hr 18 minWater on the Road, a live-concert film directed by Brendan Canty of Fugazi and Christoph Green features performances from Pearl Jam singer Eddie Vedder's August 2008 solo tour engagements at Washington, D.C.'s Warner Theatre. The film features a live performance of "You're True" from the Grammy nominated album Ukulele Songs as well as a mix of Pearl Jam catalog, covers and songs from Vedder's critically acclaimed, award-winning solo record, Into The Wild. The film also includes appearances by Liam Finn and EJ Barnes who supported Vedder during his 2008 solo tour.
Live At Reading
Runtime: 1 hr 37 minRanked #1 in Kerrang Magazine's "100 Gigs That Shook The World" and voted as "Nirvana's #1 Greatest Moment" by fans in an NME poll, Nirvana's historic August 30, 1992 stands as a watershed moment in the history of rock. While the show's centerpiece was a performance of nearly the entire Nevermind tracklist, also noteworthy were early performances of three as yet unrecorded songs which wouldn’t be released until 2 years later on In Utero: "All Apologies," "Dumb," and in its first ever public performance, "Tourettes." The career-spanning setlist also reached back to the band's 1989 Sub Pop debut album, Bleach, for "Blew," "About A Girl," "School," "Negative Creep" and first single "Love Buzz," and even further back to the mid-'80s for "Spank Thru." Other songs from the Reading set would appear in studio form on the Incesticide compilation later in the year: "Aneurysm," "Been A Son" and "Sliver." Additionally, the band played a pair of beloved covers by two bands that helped shape the formative Nirvana sound– "The Money Will Roll Right In" by Fang and "D-7" by The Wipers.
Live in Cuba
Runtime: 2 hr 30 minFilmed Live at the Anti-Imperialist Plaza in Havana, Cuba. In may 2005, Audioslave became the first american rock band to ever perform in Cuba. 60,000 screaming fans witnessed this historic event.