Few classically trained singers have had the continued crossover success that Placido Domingo enjoys. He's reached the top of the charts with both his solo selections and his immensely popular collaborations with Pavarotti and Carreras. His strength as a performer is the classic love scene, as audiences melt to hear his powerful versions of great themes by Verdi, Wagner, and others. Outside of Opera, Domingo has enjoyed success with traditional Spanish love songs, as well as with pop music ("Perhaps Love" with John Denver and "Till I Loved You" with Jennifer Rush were huge chart toppers). In regard to Christmas music, it's just another day, another dollar for Domingo: his nearly annual holiday releases satisfy discerning listeners who are tired of Manheim Steamroller, while filling his coffers all the more. But let's not knock his talent for making money. Domingo is a true talent -- perhaps one of the greatest of the modern age.
Placido Domingo Concert Films
LA Opera Orchestra - Il Postino 2009 part 2
Runtime: 52 minIl Postino is an opera in three acts by Daniel Catán with a Spanish libretto by the composer. Based on the novel Ardiente paciencia by Antonio Skármeta and the film Il Postino by Michael Radford, the work contains elements of drama and comedy, integrating themes of love and friendship along with political and spiritual conflict.The opera premiered at the Dorothy Chandler Pavilion by Los Angeles Opera on 23 September 2010.
Set on a small Italian island, exiled Chilean poet Pablo Neruda receives so much fan mail that a personal postman, Mario Ruoppolo, is hired to deliver his letters. Mario, smitten by Beatrice Russo, turns to Pablo for help writing poetry that would help him win the heart of the woman he longs for. Soon after, Mario and the barmaid fall in love and wed. In the third act, influenced by Pablo's works, Mario begins writing political poems and while reciting at a communist demonstration, violence breaks out and he receives a gunshot wound, killing him.
Il Postino was commissioned by Los Angeles Opera who co-produced the premiere production with the Theater an der Wien in Vienna and Théâtre du Châtelet in Paris. Daniel Catán wrote the role of Pablo Neruda for Plácido Domingo, who sang it at the Los Angeles premiere and in subsequent performances in Vienna and Paris.
Live at Loreley
Runtime: 45 minPlacido Domingo performing on the spectacular stage near the famous Loreley rock! He is joined by the two sopranos Angel Blue, who has been described by Placido as ‘the next Leontyne Price’, and Micaëla Oeste, who was a member of the ‘Domingo-Cafritz Young Artist’ program with Washington National Opera, where she triumphed after stepping in mid-performance as Ophelie in Hamlet.
Placido Domingo Top Tracks
Un Ballo in Maschera Act II
Runtime: 1 hr 25 minThe outstanding production of Verdi’s Masked Ball at the Salzburg Festivals 1989 and 1990 was Herbert von Karajan’s legacy to the Festival. Supported by a cast of superlative actor-singers in opulent scenery, Sir George Solti agreed to conduct the opera at short notice after Karajan’s unexpected death in 1989. The production had been expected to be a highlight in Karajan’s series of Verdi operas at Salzburg. Karajan’s celebrated ability to unite a cultivated sound with dramatic effects was known to create extraordinary and highly acclaimed opera events. For Un ballo in maschera Karajan planned something unusual: He would not set the opera in colonial Massachusetts, as the censors had forced Verdi to do when he was composing the work, but in Stockholm in the 1790s at the court of King Gustav III of Sweden, as Verdi had originally conceived his work. Together with the film director John Schlesinger and his stage team, Karajan developed a concept that promised theatrical splendour equal to the musical excellence that the conductor and the handpicked cast of singers would surely provide in collaboration with the Vienna Philharmonic Orchestra. But this was not to be: stage rehearsals had already begun for the opening performance of the 1989 festival when Karajan died on 16 July. Therefore it was extraordinarily lucky that a conductor of Sir Georg Solti’s standing, was prepared to undertake the task just a week before the premiere, and with the whole world watching. He and the staging by Hollywood film director John Schlesinger was acclaimed by audience and press alike.
Live at O2
Runtime: 1 hr 30 minInternational star Katherine Jenkins first UK solo arena tour, celebrating her latest album "Believe" was heralded an outstanding success by fans and critics alike. Filmed at London's O2 Arena, Katherine takes her live performance to a phenomenal new level. This show presents Katherine as singer, dancer, actress and circus performer across a range of music running from virtuoso classical pieces to standards, cabaret and musical theatre. Directed by renowned choreographer Kim Gavin we are invited to enjoy fantastic performances from Katherine plus a troupe of singers, dancers, orchestra and band. This is Katherine Jenkins as you've never seen her before!
Verdi: Don Carlo
Runtime: 3 hr 55 minGiuseppe Verdi's late opera Don Carlo delivers all the big topics while the ultra-simple décor in Peter Stein's production provides a spartan counterpoint to the dramatic action. With star tenor Jonas Kaufmann in the title role.
In Concert 1994
The Three Tenors
Runtime: 2 hr 53 minLegendary tenors José Carreras, Plàcido Domingo and Luciano Pavarotti, together with conductor Zubin Mehta, celebrate the finale to soccer's 1994 World Cup with a live concert at Los Angeles' Dodger Stadium before an estimated worldwide audience of more than one billion viewers. With the Los Angeles Philharmonic and the Los Angeles Music Center Opera Chorus the tenors perform a selection of operatic arias and international favourites specially orchestrated by composer/arranger Lalo Schifrin. The result is an outstanding event, featuring world-renowned performers who share a passion for opera and football. The Vision (The Making of) takes us behind the scenes to watch as the story of the concert unfolds. In this exclusive film we see the three tenors relaxing, rehearsing and in concert, performing the Brindisi and Granada. And then six weeks later in Los Angeles, they are captured at their final dress rehearsal before the momentous concert.
Runtime: 1 hr 10 minThe legendary Luciano Pavarotti duets unforgettably with a host of the world’s greatest musical stars, including Elton John, Bono, Andrea Bocelli, Sting, Mariah Carey, Celine Dion and many more, in a programme featuring such classics as Live Like Horses, Miss Sarajevo, The Magic Of Love, It’s A Man’s World and ’O sole mio.
Sehnsucht - Münchner Rundfunkorchester
Runtime: 58 minBeethoven, Mozart, Weber and Wagner, performed by German tenor Jonas Kaufmann and the Münchner Rundfunkorchester, under the direction of Michael Güttler.
This recital includes masterpieces such as Dies Bildnis ist bezaubernd schön, from The Magic Flute by Mozart, In fernem Land, from Wagner's Lohengrin, the Valkyrie's Winterstürme, or excerpts from Weber's Freischütz.
Summer Night Concert 2015
Runtime: 1 hr 33 minThe Vienna Philharmonic performed its annual Summer Night Concert Schönbrunn, an open-air concert with free admission, in the unique ambience of the gardens of Schönbrunn Palace on Thursday, May 14, 2015. Zubin Mehta conducted the Summer Night Concert with Rudolf Buchbinder as soloist.
This year's concert, which also represented the opening concert of the Vienna Festival, was attended by 100,000 visitors.
With this open-air concert in Schönbrunn, the Vienna Philharmonic wishes to provide all Viennese, as well as visitors to the city, with a special musical experience in the impressive setting of Schönbrunn Palace and its beautiful baroque gardens, a UNESCO World Cultural Heritage Site.
Life and Art
Runtime: 1 hr 15 minMaria Callas died on 16th September 1977 at the age of 53. She had been, without doubt, the 20th century's greatest soprano, but was equally famous for events in her private life, her reclusive later years and for the silence she imposed on herself. As well as her stunning musical performances, her reputation depended on the drama she invested in her roles, revealing to the public the true nature of characters such as Tosca, Norma, Médée or Violetta in La traviata. This film reveals her character as well as celebrating her vocal art and her dramatic talents. It shows her as a woman and as a diva, constantly torn between her personal aspirations and her artistic ambitions.