Supergrass are one of the few bands to survive -- and thrive beyond -- the mid-1990s Brit pop revival. Coming from peaceful Oxford, England, the teenage band hit the ground running, scoring high placements on British charts with their initial singles, which pointed the way for their 1995 debut, I Should Coco. The album revealed the band's knack for channeling the sound and spirit of '70s pop punk of acts like the Buzzcocks, the Undertones and the Jam while remaining connected to the original '60s British Invasion scene. I Should Coco's upbeat energy, unstoppable good spirits and contagious sense of fun stood in stark contrast to the cynically maudlin, generic teen angst alt rock wares being peddled to teenagers by the American post-grunge and rapcore scenes. This was music for sharing with friends and going out and celebrating, not holing up in your room. 1997's In It For the Money found the group taming (though not deleting) the blazing punk tempos of their first phase and further exposing the Beatles/Kinks/Badfinger accents and soaring power pop melodies at the heart of so many of their songs. While this was closer in style to what Oasis was doing at the same time, the fact that ... See More
Supergrass Concert Films
A Home Movie
Runtime: 1 hr 19 minBritpop rockers Supergrass collects 17 of their videos as well as the 80-minute documentary A Home Movie on this film from EMI and Parlophone. With hits from the band's first four albums represented on the disc, the videos cover their early rocket-rise to stardom with such cuts as "Alright" and go all the way through their contagious 2002 hit "Grace." The documentary contains interviews with the band and features home movies from various tours and recording sessions dating back even before the band had properly formed. Filled with the kind of off-the-wall humor and style that has surrounded their work for the first ten years, the film is a must for Supergrass fans and collectors alike.
Runtime: 33 minA significant footnote in rock 'n' roll's chequered history, 'Glange Fever' is the rockumentary to end all rockumentaries. A fascinating and faintly ridiculous film following the adventures the Diamond Hoo Ha Men (aka Gaz & Danny from Supergrass) on their UK live club tour throughout December 2007. An unsettling behind-the-scenes peek into life on the road with the world's finest sequin-suited glange rock duo.
Supergrass Top Tracks
Live in Sydney
Runtime: 1 hr 6 minStarting with the mod/punk-rock band 'The Jam' (1976-1982), Weller then went on to branch out musically to a more soulful style with The Style Council (1983-1989). In 1991 he re-established himself as a successful solo artist, and continues to remain a respected singer, lyricist and guitarist, a fact reaffirmed by his awarding of the 2009 BRIT award for Best Male Solo Artist. He has remained a national rather than an international star, and much of his songwriting is rooted in British culture. He is also the principal figure of the 1970s and 80s mod revival and is often referred to as the Modfather.
Call The Cops
Runtime: 56 minHappy Mondays were, along with the Stone Roses, the defining band of the Madchester scene in the late eighties and early nineties. Their music combined rock and house elements in a unique fusion which, coupled with Shaun Ryders biting lyrics, became the soundtrack of the era. This program captures the band on their first American tour in 1990 in support of their bestselling album Pills n Thrills And Bellyaches. It combines brilliant full performance footage from The Sound Factory in New York with behind the scenes material to give a really intimate portrait of the band at their peak. There are also cameo appearances from Keith Allen and the late Tony Wilson, founder of Factory Records.
Live at The Metro Theatre
Runtime: 1 hr 30 minJarvis Branson Cocker (born 19 September 1963) is an English musician and former frontman for the band Pulp. Through his work with the band, Cocker became a figurehead of the Britpop movement of the mid-1990s New solo album Further Complications saw Cocker embrace an altogether more muscular sound, whilst retaining his trademark witticisms. Here, he performs at The Metro Theatre, in Sydney, Australia, on December 7, 2009.
Live at V Festival 2008
Runtime: 23 minDescribed as "classic UK rock delivered with whiskey vocals," the band have been summarised as possessing a sound akin to the genres of alternative rock and "British traditional rock". They are one of the most successful Welsh rock acts. Upon their release of “Pull the Pin”, they became the eighth group to achieve five consecutive UK number one albums (after the Beatles, Led Zeppelin, ABBA, Genesis, Oasis, Blur and U2).
In this concert feature the band is taking over the Download Festival performing all the hits like “Dakota,” “Have A Nice Day,” “Just Looking,” and many more.
Live at Isle of Wight Festival
Runtime: 1 hr 22 minThe English rock band James take over the stage at The Isle of Wight Festivals with attractive performances of their best-known singles including "Come Home," "Sit Down," "She's a Star," "Laid," and many more.
Made of Stone
The Stone Roses
Runtime: 1 hr 36 minIn 2012, a resurrection no one thought possible took place when legendary band, The Stone Roses reformed after 16 years. With unprecedented access to previously unseen archive footage, MADE OF STONE is a revealing journey through the life of one of the most revered and influential bands in British music history.
The Beat is the Law: Fanfare For The Common People
Runtime: 1 hr 31 minGlastonbury Festival, 1995: The Stone Roses pull out of their headline set after a mountain bike accident and Rod Stewart is unavailable. As last minute replacements, Pulp take to the stage to face 80,000 people. They deliver a set regarded as one of the best in the festival’s history and are catapulted to the forefront of the Britpop movement—an achievement that ten years earlier seemed like an impossible dream. Made with the full cooperation of Pulp, The Beat is the Law brings together original interviews, performances, promos, newly unearthed live footage and home videos to tell the story of Pulp and their contemporaries’ journey from the darkest industrial depths of Sheffield to the pinnacle of pop via the consciousness-raising techno/house of Warp Records. Featuring original interviews with Pulp’s Jarvis Cocker, Russell Senior, Candida Doyle and Nick Banks, plus Richard Hawley (Longpigs), Mark Brydon (Chakk/FON/Moloko), Rob Gordon (FON/Warp), Adi Newton (Clock DVA) and many more!
Runtime: 1 hrThree years of candid camera on the road with Blur, from Reading 1991 through the dark ages of the EEC in 1992 and then on to Modern Life. This 126 minute tour film features live footage including scenes from Glastonbury ’92, the Heineken Music Festival ’94 in Nottingham, and festivals in Germany, Denmark and Sweden. It is a fascinating rockumentary about the early days of one of the most influential bands of the 1990s.
Live in Sydney
Runtime: 1 hr 23 minManchester is a city of mavericks and hooligan poets, individuals making their own mad mash up music, Ian Brown is the king monkey of this clan. He got the charisma and he got the talent to pull these unlikely combinations off. The band was broken but Brown kept his edge and his king monkey cool- not even a spell inside Strangeways affected that swagger. He seems to know no fear. Whilst every British band went off and copied the Roses he set of in the opposite direction and invented his own multi cultural polyglot mix of music that has a cutting edge cool to it.
Runtime: 1 hr 18 minPrimal Scream's seminal album "Screamadelica" defined a generation. It's mix of rock, dance, dub, gospel and more caught the zeitgeist of the early nineties to perfection and it went on to win the inaugural Mercury Music Prize in 1992 and consistently be named as "Best Album Of The Nineties" and appear in numerous "All Time Best Albums" lists. This show, filmed on November 26th 2010 at London's Olympia, was the first time that Primal Scream had performed the whole album live and it became one of the "must see" gigs of the year. The band was accompanied by a brass section and a gospel choir with back projections specially created for the event. The result was a stunning musical and visual triumph and proved, if it needed to be, that Screamadelica is one of the finest albums ever made and that Primal Scream are one of the truly great live bands.