Paul Westerberg spent most of the 1990s acting like an adult, but in the 1980s, he was a Punk rock Rimbaud, drunkenly channeling a generation's confusion, frustration and glee into ragged anthems and, every so often, surprisingly tender ballads. While R.E.M., Soul Asylum and Husker Du were slowly advancing their careers, the Replacements were careening around wildly, pissing off record execs and cursing on national TV. The band may have been notorious for their tendency to get wasted and screw things up, but they were loved for Westerberg's ability to turn typical college kid angst into something romantic and beautiful. Like the youthful abandon the band drew on and celebrated, the Replacements probably felt so special because there wasn't ever a chance in hell they were going to last.
The Replacements Concert Films
Color Me Obsessed
Runtime: 2 hr 3 minFor some aging music fans and kids with a passion for musical history, The Replacements are rock and roll defined. This Minneapolis quartet took a teenage-punk attitude, threw it in a blender with classic and pop rock, and then poured it into a Middle American pint glass. Over the band's 12-year existence, its live sets were magical, a total mess, or both-depending on your mood and the members' respective blood alcohol levels. Gorman Bechard's remarkable history of the 'Mats takes us from their first show as the Impediments to their 1991 onstage breakup in Chicago, and everywhere in between. Bechard bravely eschews including the band's music, photos, and live footage, instead relying solely on the fans: their well-kept memories, hilarious anecdotes, and differing points of views about the foursome's wildly varied discography and infamous antics. Bechard has recruited an impressive roster of influential fans: musicians such as Husker Du, Babes in Toyland, The Decemberists, The Hold Steady, Archers of Loaf, Titus Andronicus, and Goo Goo Dolls; writers such as Jack Rabid, Legs McNeil, Robert Christgau, Jim DeRogatis, and Greg Kot; and actors such as George Wendt, Tom Arnold, and Dave Foley. Sprinkled in among that esteemed group are the more mainstream fans, who often give the most insightful and heartfelt perspectives of all. Follower or not, after taking in COLOR ME OBSESSED, you'll be ready to run home, gather some 'Mats albums, and design a perfect soundtrack of your own.
The Replacements Top Tracks
Detour Live At Liverpool Philharmonic Hall
Runtime: 1 hr 46 minElvis Costello brings his solo show Detour to the Liverpool Philharmonic Hall. Combining classic songs performed with guitar or at the piano with reminiscences of his family, life and career, it is by turns touching, humorous, thoughtful and uplifting. The set features recent songs such as “Church Underground” and “Jimmie Standing In The Rain” alongside much loved tracks from across his career including “Watching The Detectives, ” “A Good Year For The Roses, ” “Accidents Will Happen, ” “Shipbuilding” and “I Can’t Stand Up For Falling Down” all given a new twist in their solo renditions. The show also features guest appearances by sister act Larkin Poe.
Live at Soundstage
Runtime: 40 minQuintessential alternative rockers, Sonic Youth, celebrate free-form experimentalism while reinforcing their performance-art driven tradition in this Soundstage performance. The band, which settles just outside the realm of definition, delivers a part rock, part free-form noise, part avant-garde punk performance which features a new song "Sympathy for the Strawberry."
The Unheard Music
Runtime: 1 hr 24 minX: The Unheard Music takes long, detailed, and often funny look at the LA music scene of the late 70s and 80s and focuses on the group that critics had singled out as the leader of the underground pack. The Unheard Music is a documentary that combines live footage of the band and interviews with the four members (as well as their friends and families) with surreal music videos and montages of newsreel footage and vintage television commercials which help to illustrate X's uphill struggle against the music industry. Their story rings true even today.
The Rise and Fall of the Clash
Runtime: 1 hr 37 minThe only up-close and personal film about the juggernaut band The Clash and their meteoric trajectory through rock ‘n roll history, The Rise and Fall of The Clash features previously unseen footage of the band at work and at play, as well as interviews with the individual band members and with those who knew them well. This is not a film that pulls any punches, but neither does it overlook the life-changing effect that The Clash brought to so many. The Rise and Fall of The Clash paints the fascinating inside story of rivalries, treachery, betrayal and the internal band dynamics and managerial interference that ultimately led “the biggest band in the world” to self-destruct.
Bug Live at 9:30 Club: In the Hands of the Fans
Runtime: 1 hr 3 minThrough an online contest, six fans are selected to film Dinosaur Jr. performing ""Bug"" in its entirety at the 9:30 Club in Washington DC, June 2011. Experience the fans' joy as they witness a classic performance and meet their heroes face to face in an exclusive interview with the band. Under the awesome direction of Dave Markey (The Year Punk Broke), ""In the Hands of the Fans"" brings the fans closer to the band and the music closer to you. Includes bonus footage of Henry Rollins speaking candidly to Markey about the the band, and interviewing them on stage before the show.
R.E.M. By MTV
Runtime: 1 hr 47 minOn April 5, 1980 four college pals-Bill Berry, Peter Buck, Mike Mills and Michael Stipe-took the stage together for the first time to play at a friend's birthday party. The band they started that night stayed together for thirty years and changed the shape of rock music. R.E.M. By MTV tells R.E.M.'s story in their own words, through three decades of performances and interviews R.E.M gave to MTV channels in the USA and around the world. Featuring revealing, never-before-seen footage, R.E.M. By MTV tells the amazing story of a band that did it their own way, and changed how a generation of musicians after them did it, too.