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• Live at the All Good Music Festival 2011

  Moe

  Year: 2010

  Runtime: 1 hr 46 min

  From modest beginnings in a Buffalo basement over two decades ago to today’s multifaceted success, the members of moe. have never lost sight of the earnest, elemental goals that they aspired to from their very first show: to deliver honest, heartfelt music and to ensure the audience has a good time. Considerate and conscientious in their actions and decision-making, moe.’s refreshingly unpretentious attitude has won them a devoted legion of dedicated fans (ranging from seasoned concert-goers to eager young newcomers) and has given rise to a thriving cottage industry – a self-contained nation-state in which the band and their audience live as equals, thriving on a reciprocal appreciation rare in today’s increasingly fragmented musical landscape. 2010 marks the twentieth anniversary of moe.’s frontline of Rob Derhak (bass, vocals), Chuck Garvey (guitar, vocals), and Al Schnier (guitar, keyboards, vocals), who continue to perform together with the addition of drummer Vinnie Amico and percussionist and multi-instrumentalist Jim Loughlin. Keeping a consistent lineup intact and productive over two decades is no small feat. moe.’s saga is made all the more remarkable because they have consistently done so on their own terms, as independent artists who actively manage their own affairs while staying well ahead of industry and technological developments, including successfully self-releasing their own music and offering instant on-site digital concert recordings at their shows.

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  Live at the All Good Music Festival 2011

  Moe

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• Live at the Summer Camp Music Festival, Day 3

  Moe

  Year: 2010

  Runtime: 2 hr 27 min

  From modest beginnings in a Buffalo basement over two decades ago to today’s multifaceted success, the members of moe. have never lost sight of the earnest, elemental goals that they aspired to from their very first show: to deliver honest, heartfelt music and to ensure the audience has a good time. Considerate and conscientious in their actions and decision-making, moe.’s refreshingly unpretentious attitude has won them a devoted legion of dedicated fans (ranging from seasoned concert-goers to eager young newcomers) and has given rise to a thriving cottage industry – a self-contained nation-state in which the band and their audience live as equals, thriving on a reciprocal appreciation rare in today’s increasingly fragmented musical landscape. 2010 marks the twentieth anniversary of moe.’s frontline of Rob Derhak (bass, vocals), Chuck Garvey (guitar, vocals), and Al Schnier (guitar, keyboards, vocals), who continue to perform together with the addition of drummer Vinnie Amico and percussionist and multi-instrumentalist Jim Loughlin. Keeping a consistent lineup intact and productive over two decades is no small feat. moe.’s saga is made all the more remarkable because they have consistently done so on their own terms, as independent artists who actively manage their own affairs while staying well ahead of industry and technological developments, including successfully self-releasing their own music and offering instant on-site digital concert recordings at their shows.

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  Live at the Summer Camp Music Festival, Day 3

  Moe

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• Live at the Summer Camp Music Festival, Day 2

  Moe

  Year: 2010

  Runtime: 2 hr 26 min

  From modest beginnings in a Buffalo basement over two decades ago to today’s multifaceted success, the members of moe. have never lost sight of the earnest, elemental goals that they aspired to from their very first show: to deliver honest, heartfelt music and to ensure the audience has a good time. Considerate and conscientious in their actions and decision-making, moe.’s refreshingly unpretentious attitude has won them a devoted legion of dedicated fans (ranging from seasoned concert-goers to eager young newcomers) and has given rise to a thriving cottage industry – a self-contained nation-state in which the band and their audience live as equals, thriving on a reciprocal appreciation rare in today’s increasingly fragmented musical landscape. 2010 marks the twentieth anniversary of moe.’s frontline of Rob Derhak (bass, vocals), Chuck Garvey (guitar, vocals), and Al Schnier (guitar, keyboards, vocals), who continue to perform together with the addition of drummer Vinnie Amico and percussionist and multi-instrumentalist Jim Loughlin. Keeping a consistent lineup intact and productive over two decades is no small feat. moe.’s saga is made all the more remarkable because they have consistently done so on their own terms, as independent artists who actively manage their own affairs while staying well ahead of industry and technological developments, including successfully self-releasing their own music and offering instant on-site digital concert recordings at their shows.from seasoned concert-goers to eager young newcomers) and has given rise to a thriving cottage industry – a self-contained nation-state in which the band and their audience live as equals, thriving on a reciprocal appreciation rare in today’s increasingly fragmented musical landscape. 2010 marks the twentieth anniversary of moe.’s frontline of Rob Derhak (bass, vocals), Chuck Garvey (guitar, vocals), and Al Schnier (guitar, keyboards, vocals), who continue to perform together with the addition of drummer Vinnie Amico and percussionist and multi-instrumentalist Jim Loughlin. Keeping a consistent lineup intact and productive over two decades is no small feat. moe.’s saga is made all the more remarkable because they have consistently done so on their own terms, as independent artists who actively manage their own affairs while staying well ahead of industry and technological developments, including successfully self-releasing their own music and offering instant on-site digital concert recordings at their shows.

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  Live at the Summer Camp Music Festival, Day 2

  Moe

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• Live at The Electric Forest Festival Day 1 Part II

  The String Cheese Incident

  Year: 2011

  Runtime: 1 hr 29 min

  Over the past two decades, The String Cheese Incident has emerged as one of Americas most significant independent bands. Their 17 year history is packed full of surreal experiences, epic moments, groundbreaking involvement and huge accomplishments.
  

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  Live at The Electric Forest Festival Day 1 Part II

  The String Cheese Incident

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• Live at the Electric Forest Festival Day 3 Part 1

  The String Cheese Incident

  Year: 2011

  Runtime: 1 hr 13 min

  Over the past two decades, The String Cheese Incident has emerged as one of Americas most significant independent bands. Their 17 year history is packed full of surreal experiences, epic moments, groundbreaking involvement and huge accomplishments.
  

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  Live at the Electric Forest Festival Day 3 Part 1

  The String Cheese Incident

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• Live at the Electric Forest Festival Day 3 part II

  The String Cheese Incident

  Year: 2011

  Runtime: 1 hr 30 min

  The bluegrass-based jam band the String Cheese Incident is comprised of mandolinist/violinist Michael Kang, guitarist Bill Nershi, bassist Keith Moseley, pianist Kyle Hollingsworth, and percussionist Michael Travis. Formed in Boulder, CO, in 1993, the group's self-described "sacrilegious mix of bluegrass, calypso, salsa, Afro-pop, funk, rock, and jazz" quickly built up a following on the local club circuit, and within six months of their formation they earned an invitation to open the legendary Telluride Bluegrass Festival.
  

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  Live at the Electric Forest Festival Day 3 part II

  The String Cheese Incident

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• Live in Asheville

  The String Cheese Incident

  Year: 2011

  Runtime: 2 hr 43 min

  Over the past two decades, The String Cheese Incident has emerged as one of Americas most significant independent bands. Their 17 year history is packed full of surreal experiences, epic moments, groundbreaking involvement and huge accomplishments.

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  Live in Asheville

  The String Cheese Incident

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• Live At the Mountain Jam Festival, Hunter NY

  Gov't Mule

  Year: 2011

  Runtime: 3 hr 8 min

  With 2 million paid song downloads through their site MuleTracks, seven critically acclaimed studio records already released, a handful of DVDs and live albums, plus an ever-expanding fanbase and sold-out coast-to-coast tours, Gov't Mule could easily rest on its laurels. Yet when they're one of the hardest working bands in rock history.
  
  Haynes explains, "We want By A Thread to be a surprise, so we've made a point not to play any of them live until our fans can get the full impact of the new material."
  
  The Band Closed off Saturday night at the Mountain Jam Festival with their first show scheduled in 2011. Frontman Warren Haynes promised the crowd a crazy night, and didnt disappoint, leading off with Railroad Boy and Thorazine Shuffle. Mule played a lengthy number of covers in the first set, including ZZ Tops Nasty Dogs And Funky Kings, The Whos Wont Get Fooled Again, and closed the first set with Black Sabbaths War Pigs. The second set also featured several covers, including the lead-off Money and Have a Cigar by Pink Floyd and the Rolling Stones Angie. The highlight of the night was a lengthy 32/20 Blues, which featured Cody Dickinson on electric washboard, Luther Dickinson on guitar, and Hook Herrera on harmonica.

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  Live At the Mountain Jam Festival, Hunter NY

  Gov't Mule

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• Live at Metro Theatre

  Ben Harper & Relentless7

  Year: 2018

  Runtime: 1 hr 28 min

  The California native is a natural born showman, a slide-guitar legend whose ability to dabble in (and pull off) everything from folk blues to country jazz and reggae has earned Harper legions of fans the world over. So when we were given the opportunity to film Ben Harper accompanied by the blues-driven Texas trio Relentless7 at the Metro in Sydney, needless to say we were a little bit excited. And it may have been filmed in 2009, but this show was such a stand out favorite of ours there was no question that it was set to become one of our Classic Concerts someday.

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  Live at Metro Theatre

  Ben Harper & Relentless7

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• The Last Watusi

  Radiators

  Year: 2011

  Runtime: 2 hr 50 min

  These New Orleans legends played their final shows at Tipitinas in New Orleans. Dubbed The Last Watusi, the band celebrated their storied 33-year career with a three-night run, starting with an acoustic show and closing their time together with a sold-out show two nights later. The energetic concert featured such fan favorites as Monkey Meet and River Run, which included an Over Under Sideways Down tease by guitarist Dave Malone. After a lengthy set the band came back out for an encore featuring a rendition of The Radiators original Confidential that segued into a cover of Willie Dixons blues classic Back Door Man. iClips.com streamed all three nights, and will keep these shows in their streaming archive until June 17.

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  The Last Watusi

  Radiators

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• Live at Red Rocks: Day 1, Part I

  Widespread Panic

  Year: 2011

  Runtime: 1 hr 6 min

  In the first of three sold out shows at Red Rocks Amphitheatre, Widespread Panic, currently celebrating its 25th anniversary, dazzled devoted fans with an old-school show that lasted close to three hours.
  
  It seemed appropriate that they kicked off the show with "Postcards," with its line: This town is nuts, my kind of place, I dont want to leave. Given the love the band and fans have for Red Rocks shows, it sometimes feels like they could simply play every summer show there and the fans would journey from around the country to see them.
  
  On "Ribs and Whiskey," lead guitarist Jimmy Herring picked piercing trills over lead vocalist John Bells sultry, lazy slide playing while bassist Dave Schools laid down a funky groove underneath. Out of a long jam, percussionist Domingo Sunny Ortiz took a little solo and then locked in with Schools on the intro to the instrumental, "Party At Your Mama's House."
  
  As the band closed out with a fiery "Radio Child," Bell stepped up and said they'd see everybody tomorrow night. The amphitheater then got turned into a disco, as the house lights mimicked a disco ball and the PA blared Michael Jacksons "Don't Stop 'Til You Get Enough," a perfect backing track for fans to dance down to their cars.

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  Live at Red Rocks: Day 1, Part I

  Widespread Panic

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• Live at Red Rocks: Day 2, Part I

  Widespread Panic

  Year: 2011

  Runtime: 1 hr 7 min

  Widespread Panic is currently celebrating its 25th anniversary
  A band that doesn't repeat set lists and likes to stretch things out, you'll never know which show will be THE show that every fan will wish they had been at. Saturday night, their second of a three-night run at Red Rocks, Widespread Panic hit higher heights than they did the previous night.
  By the time the band took the stage at 7:50 p.m., the energy among the fans was electric. Panic wasted no time delivering the goods, opening with a one-two punch of "Sometimes" and "North." Dave Schools stepped up with a bass break during the former, and lead guitarist Jimmy Herring and keyboardist John "JoJo" Hermann traded singing solos and rolling fills on the latter.
  

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  Live at Red Rocks: Day 2, Part I

  Widespread Panic

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• Live at Red Rocks: Day 1, Part II

  Widespread Panic

  Year: 2011

  Runtime: 1 hr 52 min

  In the first of three sold out shows at Red Rocks Amphitheatre, Widespread Panic, currently celebrating its 25th anniversary, dazzled devoted fans with an old-school show that lasted close to three hours.
  

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  Live at Red Rocks: Day 1, Part II

  Widespread Panic

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• Songlines Live

  Derek Trucks

  Year: 2006

  Runtime: 2 hr 40 min

  The Derek Trucks Band's performance at the Park West in Chicago.

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  Songlines Live

  Derek Trucks

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• Live at the Tabernacle, Atlanta GA

  Umphreys McGee

  Year: 2015

  Runtime: 2 hr 23 min

  Umphrey's McGee continue to defy convention with their ferocious live shows, never-ending catalogue, and innovative approach to all facets of the music industry. That unique approach was on display on January 2nd, 2015 as the band performed their fourth night in a row at Atlanta's famed Tabernacle (there were five total!). The show featured a rare acoustic segment as the electric guitars were put down for four songs, including a debut of the Crosby, Stills & Nash classic "Southern Cross." And with the band performing the encore in bath robes (a first), this show truly has something for everyone. 
  
  UM is Musicianship for the Masses. 

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  Live at the Tabernacle, Atlanta GA

  Umphreys McGee

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• Live at Red Rocks: Day 2, Part II

  Widespread Panic

  Year: 2011

  Runtime: 1 hr 44 min

  Widespread Panic is currently celebrating its 25th anniversary
  A band that doesnt repeat set lists and likes to stretch things out, you'll never know which show will be THE show that every fan will wish they had been at. Saturday night, their second of a three-night run at Red Rocks, Widespread Panic hit higher heights than they did the previous night.

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  Live at Red Rocks: Day 2, Part II

  Widespread Panic

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• Europe 2009

  Dave Matthews Band

  Year: 2009

  Runtime: 2 hr 16 min

  This film follows the Dave Matthews Band to Brixton Academy in London, on June 26, 2009. Dave Matthews, Carter Beauford, Stefan Lessard, Boyd Tinsley, Jeff Coffin, Tim Reynolds, and Rashawn Ross perform in front of a sold-out crowd and serve up fan favorites "Crash Into Me," "Funny the Way It Is," "#41," and many more.

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  Europe 2009

  Dave Matthews Band

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• Live at the Filmore Auditorium

  Tedeschi Trucks Band

  Year: 2011

  Runtime: 2 hr 16 min

  A dramatic leap forward for two of the music worlds most dynamic performers, singer/guitarist Susan Tedeschi and guitarist Derek Trucks, introduced their new 11-piece ensemble Tedeschi Trucks Band to rave reviews earlier this spring in advance of their first full CD release together, Revelator. Acclaimed by Rolling Stone, Revelator is a confident yet unforced triumph offering a cohesive vision: an idyllic, musical world in which the echoes of so many great traditions Delta blues and Memphis soul, Sixties rock and Seventies funk flow together naturally, blending with an entirely original, modern sensibility.

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  Live at the Filmore Auditorium

  Tedeschi Trucks Band

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• Live at Red Rocks: Day 3

  Widespread Panic

  Year: 2011

  Runtime: 1 hr 11 min

  From the opening note of "Wondering" all the way through to the set closing "Conrad," the band owned the opportunity. Sandwiched in between the opener and a divine "C. Brown," a very leggy "Surprise Valley" overwhelmed the crowd with an almost-anthemic presence. "Kiss the mountain air we breathe" sounds good standing anywhere, but beneath "ship" and "Creation" rocks it evoked magic. All weekend the boys in the band had worn smiling faces, but early in the day it was easy to see that Sunday "Funday" was going to be enchanting.
  
  Words can difficultly describe the bands energy on this last day. As the band masterfully wielded a "Bowlegged Woman" into "Lawyers, Guns and Money," it started to become apparent that the second set would be no ordinary picnic. Call them fan favorites, Halloween treats, illustrious tour gems, whatever you want, but don't expect to hear "Mama Told Me Not to Come," "Knocking Around the Zoo" and "Walk On" in consecutive order too often. The only seemingly botched moment in the whole afternoon was a "Guilded Splinters" that by most standards was still great but just seemed to be lost for a bit before being revitalized by some
  
  Set list for Part II of Day 3
  
  1. No Sugar Tonight/New Mother Nature, 2. Bowlegged Woman , 3. Lawyers, Guns and Money, 4. Can't Find My Way Home, 5. Mama Told Me Not to Come, 6. Knocking 'Round the Zoo, 7. Walk On, 8. I Walk On Gilded Splinters, 9. Red Beans, 10. Fairies Wear Boots, 11. Sharon, 12. Wild Thing, 13. Encore: Wild Thing, 14. Sultans of Swing, 15. Goin' Out West, 16. End of the Show

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  Live at Red Rocks: Day 3

  Widespread Panic

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• Live in Asheville

  Umphreys McGee

  Year: 2016

  Runtime: 2 hr 24 min

  There's no denying it; Umphrey's McGee is on fire. The band concluded a two-night live performance at Asheville, NC, treating crowds to their patented brand of improvisational rock and roll.

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  Live in Asheville

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• Between Two Worlds

  Uriah Heep

  Year: 2003

  Runtime: 1 hr 15 min

  This is a stunning concert featuring Uriah Heep live on stage at The Magician's Birthday Party 2004. The climax of the show is an unforgettable version of "Look At Yourself" featuring a drum frenzy with special guests Osibisa who recorded the original studio album in 1971.

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  Between Two Worlds

  Uriah Heep

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• Magic Night - The Magician's Birthday Party 2003

  Uriah Heep

  Year: 2003

  Runtime: 1 hr 29 min

  British progressive rock veterans Uriah Heep celebrate their history every year with a special concert called "The Magician's Birthday Party," in which the current lineup of the band is joined by special guests. The 2003 concert found former lead singer John Lawton rejoining the group for the evening, and Mostly Autumn vocalist Heather Findlay lending her talents to the show. Uriah Heep: Magic Night - The Magician's Birthday Party 2003 features the band playing an 18-song set, including "The Wizard," "Easy Livin,'" "Stealin'," "Cry Freedon," and "The Other Side of Midnight.

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  Magic Night - The Magician's Birthday Party 2003

  Uriah Heep

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• Bowlive: Live at the Brooklyn Bowl

  Soulive

  Year: 2010

  Runtime: 2 hr 12 min

  In March of 2010, the members of Soulive hauled their instruments through the doors of a newly-opened warehouse-turned-music venue in Brooklyn that they would call home for the next two weeks. Eric Krasno, Alan Evans and Neal Evans called on a multitude of their closest friends and musical conspirators to join them over the next fortnight - creating an incredibly broad guest lineup that included some of the pre-eminent guitar virtuosos of our generation (Derek Trucks, Warren Haynes), some of the biggest names in hip-hop (Questlove, Rahzel), and some of the most inventive improvisational players in modern rock n' roll (Robert Randolph, Marco Benevento, Oteil & Kofi Burbridge). The Brooklyn Bowl quickly became the mecca for these very distinct yet like-minded musicians, where they returned night after night, donning the dress code for good times (bowling shoes) and sharing famous Blue Ribbon fried chicken. The common thread that tied together all these disparate ingredients quickly became palpable -- from the transcendental heartfelt improvisations onstage to the homey & playful atmosphere provided by the bowling alley, the Soulive residency was like nothing that had come before it because all of those diverse elements fused to ultimately bring the Soul to Brooklyn Bowl.

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  Bowlive: Live at the Brooklyn Bowl

  Soulive

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• 2. Evolution of a Song: O.A.R

  O.A.R.

  Year: 2016

  Runtime: 20 min

  In episode 2, we reconnect with O.A.R. as the songwriting process brings Marc and Richard to Sundance Film Festival.
  Meanwhile the band's management and record label share concerns as deadlines loom.

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  2. Evolution of a Song: O.A.R

  O.A.R.

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