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• New Year's Concert 2013

  Franz Welser

  Year: 2013

  Runtime: 2 hr 39 min

  Since 1939, The Vienna Philharmonic's New Year's Concert has become a tradition and the world's most famous classical music event. For the second time in three years,celebrated conductor Franz Welser-Most returns to the podium for this extraordinary event. Welser-Most is the music director of The Cleveland Orchestra,General Music Director of the Vienna State Opera and has been nominated for two Grammy Awards.
  
  The Vienna New Year's Concert is unique and has often been imitated, but not equaled, with a live broadcast on television in over 70 countries around the world with over 40 million viewers

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  New Year's Concert 2013

  Franz Welser

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• Summer Night Concert 2015

  Wiener Philharmoniker

  Year: 2013

  Runtime: 1 hr 33 min

  The Vienna Philharmonic performed its annual Summer Night Concert Schönbrunn, an open-air concert with free admission, in the unique ambience of the gardens of Schönbrunn Palace on Thursday, May 14, 2015. Zubin Mehta conducted the Summer Night Concert with Rudolf Buchbinder as soloist.
  This year's concert, which also represented the opening concert of the Vienna Festival, was attended by 100,000 visitors.
  With this open-air concert in Schönbrunn, the Vienna Philharmonic wishes to provide all Viennese, as well as visitors to the city, with a special musical experience in the impressive setting of Schönbrunn Palace and its beautiful baroque gardens, a UNESCO World Cultural Heritage Site.

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  Summer Night Concert 2015

  Wiener Philharmoniker

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• Live at Loreley

  Placido Domingo

  Year: 2013

  Runtime: 45 min

  Placido Domingo performing on the spectacular stage near the famous Loreley rock! He is joined by the two sopranos Angel Blue, who has been described by Placido as ‘the next Leontyne Price’, and Micaëla Oeste, who was a member of the ‘Domingo-Cafritz Young Artist’ program with Washington National Opera, where she triumphed after stepping in mid-performance as Ophelie in Hamlet.

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  Live at Loreley

  Placido Domingo

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• They Came to Play

  Various Artists

  Year: 2008

  Runtime: 1 hr 31 min

  Chronicles the Fifth International Piano Competition for Outstanding Amateurs, hosted by The Van Cliburn Foundation. Players from all over the world, ranging from self-taught to classically-trained, aged thirty-five to almost eighty, convene in Fort Worth, Texas for a week of intense competition, music and camaraderie. The film provides an intimate look into the lives of these colorful, multi-faceted competitors as they strive to balance the demands of work and family with their love of music. Years of dedicated preparation culminate in critical performances before a professional jury and discerning audience during three nerve-wracking elimination rounds.

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  They Came to Play

  Various Artists

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• The Goat Rodeo Sessions Live

  Yo Yo Ma

  Year: 2015

  Runtime: 56 min

  The Goat Rodeo Sessions Live brings cellist Yo-Yo Ma, fiddler Stuart Duncan, bassist Edgar Meyer and mandolinist Chris Thile together for a one-night only concert filmed at the House Of Blues in Boston, MA.

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  The Goat Rodeo Sessions Live

  Yo Yo Ma

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• Zubin Mehta & Wiener Philharmoniker: Neujahrskonzert - New Year's Concert 2015

  Zubin Mehta

  Year: 2014

  Runtime: 2 hr 30 min

  This classical concert captures Zubin Mehta leading the Vienna Philharmonic through a number of selections from Johann Strauss, Johann Strauss II, Josef Srauss, and Eduard Strauss.

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  Zubin Mehta & Wiener Philharmoniker: Neujahrskonzert - New Year's Concert 2015

  Zubin Mehta

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• Live at the Red Butte Garden

  The Piano Guys

  Year: 2013

  Runtime: 1 hr

  The outdoor concert special from the remarkable classical/pop music stylists filmed at stunning Red Butte Garden in Utah, as seen on Public Television PLUS three bonus performances.

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  Live at the Red Butte Garden

  The Piano Guys

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• The Silk Road Ensemble with Yo-Yo Ma: Live From Tanglewood

  The Silk Road Ensemble

  Year: 2012

  Runtime: 1 hr 40 min

  Live from Tanglewood, directed by award-winning documentary filmmaker Morgan Neville, features an exhilarating Silk Road Ensemble concert performance filmed at the 2012 Tanglewood festival. This concert celebrates fifteen years of the Silk Road Ensemble, Yo-Yo Ma’s limitless collective whose collaborative vision is to connect the world’s neighborhoods by bringing together artists and audiences. From flashy surf guitar sounds to ninth century Chinese poetry, from modular playlists to Egyptian rhythms, the Silk Road Ensemble mixes the modern and the traditional, breaking boundaries of ethnicity and era.

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  The Silk Road Ensemble with Yo-Yo Ma: Live From Tanglewood

  The Silk Road Ensemble

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• Live at the Royal Albert Hall

  Lang Lang

  Year: 2012

  Runtime: 2 hr 3 min

  In November 2013, Lang Lang returned to London's legendary Royal Albert Hall for two recitals - finishing a celebrated Mozart and Chopin programme with no fewer than 8 encores. This film captures the complete recital.

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  Live at the Royal Albert Hall

  Lang Lang

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• Joni Mitchell’s The Fiddle and the Drum

  Alberta Ballet Company

  Year: 2012

  Runtime: 54 min

  Joni Mitchell's The Fiddle and The Drum explores Mitchell's life-long concerns about environmental neglect and the warring nature of mankind within a ballet performed to a select soundtrack of her eternal songs. The unique combinations of three art forms - music, dance and art - comprise an engaging spectacle that Joni calls "...the best project of her career."
  Legendary Canadian artist Joni Mitchell and internationally acclaimed choreographer Jean Grand-Maître of the Alberta Ballet Company are the co-creators of Joni Mitchell's The Fiddle and The Drum.

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  Joni Mitchell’s The Fiddle and the Drum

  Alberta Ballet Company

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• Symphony No. 4 in G-Dur - The Royal Concertgebouw Orchestra (2010)

  Gustav Mahler

  Year: 2010

  Runtime: 1 hr 7 min

  Bernard Haitink is one of the most sought-after Mahler conductors of our day. In this concert of Mahler’s Fourth Symphony, recorded live at the Concertgebouw in Amsterdam, he conducts the Royal Concertgebouw Orchestra. The American Maria Ewing fascinates with her interpreation of the soprano solo featured in the work’s finale.
  
  Bernard Haitink first conducted the Concertgebouw Orchestra in 1956.
  
  Beginning in 1963, Haitink was chief conductor for 25 years, during which time the orchestra developed significantly. Particularly Haitink’s interpretations of Mahler and Bruckner made a worldwide impression. The Concertgebouw Orchestra was founded in 1888. On the occasion of its 100th anniversary in 1988, the orchestra officially received the appellation ‘Royal’.

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  Symphony No. 4 in G-Dur - The Royal Concertgebouw Orchestra (2010)

  Gustav Mahler

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• Symphony No. 5 in C Minor - The Royal Concertgebouw Orchestra

  Gustav Mahler

  Year: 1995

  Runtime: 1 hr 22 min

  After the two famous Mahler festivals in 1920 and 1995, the Royal Concertgebouw Orchestra, Amsterdam, presents a special two-season Mahler series, which includes Mahler’s ten large-scale symphonies, performed in chronological order by the world’s greatest orchestra under the direction of great conductors – all brought to life in the wonderful acoustics of the Main Hall of the Concertgebouw.

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  Symphony No. 5 in C Minor - The Royal Concertgebouw Orchestra

  Gustav Mahler

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• St. Matthew's Passion

  Johann Sebastian Bach

  Year: 1985

  Runtime: 1 hr 33 min

  Johann Sebastian Bach composed the St. John Passion in Cöthen during the winter of 1722/23. The text is drawn from chapters 18 and 19 of the Gospel according to St. John, and includes some excerpts from St. Mathew and additional text from a Passion poem by the Hamburg town councillor Barthold Heinrich Brockes. The composer led the first performance at the Good Friday services on 7 April 1724 at St. Nicholas Church in Leipzig, where he had since become municipal music director and cantor of the Thomasschule. This Passion is heard less often today than the St. Matthew Passion, perhaps because the St. John Passion is in some ways more raw and evokes the anguish of the Passion more painfully than the St. Matthew work. A musician’s musician, an occasional firebrand and a constant paradox – Nikolaus Harnoncourt (born in 1929) is one of the most profound and intriguing conductors of our time. Considered one of the world’s leading specialists of Baroque music, he has long since turned his attention to Mozart, Beethoven, Schubert, and even to Jacques Offenbach and Johann Strauss. He spent many years as a cellist with the Wiener Symphoniker before founding the "Concentus Musicus Wien" with his wife Alice in 1953. It soon became one of the world’s most respected ensembles specializing in the performance of early music on original instruments. In the 1970s, Harnoncourt joined forces with Jean-Pierre Ponnelle to stage a series of Monteverdi operas at the Zurich Opera House. This universally acclaimed cycle contributed to a renaissance of Monteverdi’s music and set standards for early Baroque performance practice. He later began to turn his attention more and more to the music of Mozart, whom he considers "the most romantic of all composers". Harnoncourt did not make his official debut at the Salzburg Festival until 1992. He has been conducting there regularly since then and is a sought-after guest conductor of such reputable ensembles as the Berlin and Vienna Philharmonics, the Concertgebouw Orchestra of Amsterdam and the Chamber Orchestra of Europe.

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  St. Matthew's Passion

  Johann Sebastian Bach

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• 5531 Thousand and One Nights - Walbuehne 2006

  Various Artists

  Year: 2002

  Runtime: 1 hr 52 min

  The Waldbühne in Berlin, one of the most appealing outdoor amphitheatres on the European continent, is the home of the Berliner Philharmoniker’s summer concerts. With over 22.000 in attendance, they are some of the most popular classical music concerts in the world. This year the outstanding orchestra under the baton of Neeme Järvi take us on a trip to arabian “Thousand and One Nights”, with soloist Janine Jansen, a rising star who quickly gained the reputation of one of the foremost young violinists on the international concert stages.

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  5531 Thousand and One Nights - Walbuehne 2006

  Various Artists

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• Kremerata

  various artists

  Year: 2015

  Runtime: 1 hr 27 min

  Gidon Kremer is, and has always been, one of the most headstrong and original artists in the music business and he was once hailed by Herbert von Karajan as the world’s best violinist. He celebrated his 60th birthday in 2007 and he has always kept himself young musically with his spontaneity and a readiness to take risks. In his artistic development over the past 25 years, Kremer often found himself functioning as a crossover figure as he discovered fresh routes through well-trodden paths in music. It was in this spirit, that his fine young ensemble Kremerata Baltica, which he founded by bringing together young musicians from the Baltic states, presents music by Mahler, Shostakovish, Sibelius, Sallinen, Piazzola, Rota and a cycle called “Sempre Primavera” compiled by himself.

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  Kremerata

  various artists

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• Beethoven: Piano Concerto No.1

  Various Artists

  Year: 2011

  Runtime: 41 min

  In time for his 65th birthday in 2007, Daniel Barenboim has completed a cycle of Beethoven's
  piano concertos. Recorded live at the prestigious Klavier-Festival Ruhr in May 2007, this
  recording reflects both a very individual and special reading of Beethoven’s music and the
  artist’s life-long dedication to the composer. Daniel Barenboim is one of the most prolific and
  high-profile artists performing on international stages today and Beethoven’s masterpieces
  have been a key part of his repertoire throughout his career, both as conductor and as pianist.
  Beethoven himself was a keyboard virtuoso of almost awesome abilities who created a
  sensation wherever he played. It is no wonder, therefore, that the piano was central to
  Beethoven’s overall output. Daniel Barenboim, artistic personality and former wunderkind,
  long an essential part of the international musical scene both on the conductor’s podium and
  at the piano, is the perfect match for this demanding music. Conducting and playing at the
  same time, Barenboim chose his orchestra of almost two decades, the Staatskapelle Berlin,
  which he has praised warmly for its exceptional, dark and warm sound. With a tradition
  reaching back to 1570, the Staatskapelle Berlin is one of the oldest orchestras in the world.
  Barenboim plays Beethoven brings together two musical masterminds.

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  Beethoven: Piano Concerto No.1

  Various Artists

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• The Inaugural Concert

  Gustavo Dudamel & The Los Angeles Philharmonic

  Year: 2009

  Runtime: 1 hr 39 min

  A world-class pairing, the Los Angeles Philharmonic and their charismatic new Music Director Gustavo Dudamel, mark the start of their partnership with this concert, filmed live at the Walt Disney Concert Hall. The program defines everything that is fresh and exciting about their collaboration: a John Adams world premiere, City Noir, music that steps back into the dark past of Los Angeles, and the all-embracing First Symphony by Mahler, the composer who launched Dudamel’s dazzling international career. "This was an exceptional and exciting concert by any standard." – The New York Times

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  The Inaugural Concert

  Gustavo Dudamel & The Los Angeles Philharmonic

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• Live in Vienna (Part 2)

  Lang Lang

  Year: 2009

  Runtime: 1 hr 11 min

  Filmed live in Vienna s legendary Musikverein concert hall, this release represents Lang Lang s second live recorded recital to date after the best-selling Live at Carnegie Hall in 2004, which marked his international breakthrough as a recording artist.
  

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  Live in Vienna (Part 2)

  Lang Lang

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• Beethoven: Piano Concerto No.2

  Various Artists

  Year: 2011

  Runtime: 35 min

  In time for his 65th birthday in 2007, Daniel Barenboim has completed a cycle of Beethoven's
  piano concertos. Recorded live at the prestigious Klavier-Festival Ruhr in May 2007, this
  recording reflects both a very individual and special reading of Beethoven’s music and the
  artist’s life-long dedication to the composer. Daniel Barenboim is one of the most prolific and
  high-profile artists performing on international stages today and Beethoven’s masterpieces
  have been a key part of his repertoire throughout his career, both as conductor and as pianist.
  Beethoven himself was a keyboard virtuoso of almost awesome abilities who created a
  sensation wherever he played. It is no wonder, therefore, that the piano was central to
  Beethoven’s overall output. Daniel Barenboim, artistic personality and former wunderkind,
  long an essential part of the international musical scene both on the conductor’s podium and
  at the piano, is the perfect match for this demanding music. Conducting and playing at the
  same time, Barenboim chose his orchestra of almost two decades, the Staatskapelle Berlin,
  which he has praised warmly for its exceptional, dark and warm sound. With a tradition
  reaching back to 1570, the Staatskapelle Berlin is one of the oldest orchestras in the world.
  Barenboim plays Beethoven brings together two musical masterminds.

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  Beethoven: Piano Concerto No.2

  Various Artists

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• Mozart Piano Concerto No. 22 - Barenboim and the Berliner Philharmoniker

  Various Artists

  Year: 2011

  Runtime: 36 min

  Live recording from the Siemens-Villa, Berlin, 1986 – 1989

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  Mozart Piano Concerto No. 22 - Barenboim and the Berliner Philharmoniker

  Various Artists

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• Mariinsky: Rodion Shchedrin: Dead Souls

  Various Artists

  Year: 2011

  Runtime: 2 hr 30 min

  St. Petersburg's Mariinsky Theatre has staged the opera Dead Souls to the music by Rodion
  Shchedrin, who turns 80 in 2012. One of the indisputable operatic masterpieces of the 20th
  century will appear in the brand new, bright, expressive staged version, more than 30 years
  later, again at the Mariinsky Theatre. The premiere of the production took place on March
  18. It is the first Russian production since its 1977 premiere at the Bolshoi Theatre.

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  Mariinsky: Rodion Shchedrin: Dead Souls

  Various Artists

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• Berliner Philharmoniker: Beethoven: Symphony No. 4

  Various Artists

  Year: 2012

  Runtime: 39 min

  Recorded live in Rome at Santa Cecilia and at Philharmonie Berlin.
  La Repubblica called it: 'The most wonderful symphonic cycle of the past decade.'
  The Beethoven Symphonies mark the high-light of Abbado's relationship with the Berliner
  Philharmoniker and his 12 years as chief conductor.
  “Abbado lets loose all the conflicting elements of Beethoven's cosmos - nothing works anymore, the music threatens to explode once and for all, deliverance has to come from somewhere. A
  powerful moment of unsparing analysis of Beethoven and his own self...” Süddeutsche Zeitung

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  Berliner Philharmoniker: Beethoven: Symphony No. 4

  Various Artists

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• Berliner Philharmoniker: Beethoven: Symphony No. 7

  Various Artists

  Year: 2016

  Runtime: 43 min

  Recorded live in Rome at Santa Cecilia and at Philharmonie Berlin.
  La Repubblica called it: 'The most wonderful symphonic cycle of the past decade.
  The Beethoven Symphonies mark the high-light of Abbado's relationship with the Berliner
  Philharmoniker and his 12 years as chief conductor.
  "Abbado lets loose all the conflicting elements of Beethoven's cosmos - nothing works anymore, the music threatens to explode once and for all, deliverance has to come from somewhere. A powerful moment of unsparing analysis of Beethoven and his own self...” Süddeutsche Zeitung

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  Berliner Philharmoniker: Beethoven: Symphony No. 7

  Various Artists

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• Berliner Philharmoniker: Beethoven: Symphony No. 1

  Various Artists

  Year: 2012

  Runtime: 30 min

  Recorded live in Rome at Santa Cecilia and at Philharmonie Berlin.
  La Repubblica called it: 'The most wonderful symphonic cycle of the past decade.'
  The Beethoven Symphonies mark the high-light of Abbado's relationship with the Berliner
  Philharmoniker and his 12 years as chief conductor.
  “Abbado lets loose all the conflicting elements of Beethoven's cosmos - nothing works anymore, the music threatens to explode once and for all, deliverance has to come from somewhere. A
  powerful moment of unsparing analysis of Beethoven and his own self...” Süddeutsche Zeitung

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  Berliner Philharmoniker: Beethoven: Symphony No. 1

  Various Artists

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